"Purcell: Funeral Sentences: Thou Know'st, Lord, Z. 58C" by Henry Purcell, Guildford Cathedral Choir, Gavin Williams, Barry Rose, Guildford Cathedral Chamber Orchestra was released on September 16, 2011. The duration of Purcell: Funeral Sentences: Thou Know'st, Lord, Z. 58C is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. Purcell: Funeral Sentences: Thou Know'st, Lord, Z. 58C's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 88 in the song's album "Treasury of English Church Music". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Purcell: Funeral Sentences: Thou Know'st, Lord, Z. 58C is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Purcell: Funeral Sentences: Thou Know'st, Lord, Z. 58C by Henry Purcell, Guildford Cathedral Choir, Gavin Williams, Barry Rose, Guildford Cathedral Chamber Orchestra having a BPM of 116 with a half-time of 58 BPM and a double-time of 232 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 in B-Flat Major, Op. 2, "New Year Ode": I. Allegro | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 1 | 11B | 86 BPM | ||
Purcell: "O Solitude, My Sweetest Choice", Z. 406 | Henry Purcell, Christina Pluhar, Sarah Ridy, Haru Kitamika, L'Arpeggiata | G Minor | 0 | 6A | 169 BPM | ||
Orfeo ed Euridice: Act II, Scene 2, Ballo. Andante | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | C Major | 0 | 8B | 74 BPM | ||
Concerto For Harp In B-Flat Major: I. Andante Allegro | George Frideric Handel, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Major | 1 | 11B | 94 BPM | ||
Canzona undecima a due canti "detta la plettenberger" | Girolamo Frescobaldi, Bruno Cocset, Les Basses Réunies | A Minor | 1 | 8A | 72 BPM | ||
Gloria, R. 589: Et in terra pax hominibus | Antonio Vivaldi, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | B♭ Minor | 1 | 3A | 59 BPM | ||
Sinfonia in C major, RV 112: I. Allegro | Karoly Botvay | G Major | 2 | 9B | 119 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Suite in G minor: IV. Bourree II (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 114 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | D Major | 1 | 10B | 119 BPM |
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