"Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 6, Gott" by Johann Friedrich Reichardt, Dietrich Fischer-Dieskau, Maria Graf was released on January 1, 2016. The duration of Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 6, Gott is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 6, Gott's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Reichardt: Ausgewählte Lieder". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 6, Gott is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Lieder der Liebe und der Einsamkeit (Version for Voice & Harp): No. 6, Gott by Johann Friedrich Reichardt, Dietrich Fischer-Dieskau, Maria Graf having a BPM of 74 with a half-time of 37 BPM and a double-time of 148 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messe brève No. 7: I. Kyrie | Charles Gounod, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | D Minor | 2 | 7A | 104 BPM | ||
Die Geisterinsel, Act III: Allmächtig ist die Liebe zu dir, o Vaterland | Johann Friedrich Reichardt, Ulrike Staude, Barbara Hannigan, Markus Schäfer, Ekkehard Abele, Jorg Hempel, Yoshitaka Ogasawara, Rheinische Kantorei, Das Kleine Konzert, Hermann Max | E♭ Major | 0 | 5B | 99 BPM | ||
Dir, Dir, Jehova, Will Ich Singen BWV 452 | Calmus Ensemble | A Major | 3 | 11B | 112 BPM | ||
25 Études faciles et progressives, Op. 100: No. 5, Innocence | Franz Burgmüller, The Gerst Ensemble | F Major | 0 | 7B | 84 BPM | ||
Flower Song (From Carmen) | Georges Bizet, Martin Smith, Catherine Milledge | D♭ Major | 0 | 3B | 72 BPM | ||
Songs on One Page, H. 294: No. 3, Cesta k milé | Bohuslav Martinů, Magdalena Kozená, Czech Philharmonic, Sir Simon Rattle | A Minor | 0 | 8A | 93 BPM | ||
Romanzen und Balladen, Book 4, Op. 146: No. 3. Der Traum | Robert Schumann, Marc Legros, Pieter Martens, Aquarius, Marc Michael de Smet | E Minor | 5 | 9A | 84 BPM | ||
Fire Of | Paolo MIllon, Neon Lilith, Andrea Sullivan, Alan R Black | D Major | 2 | 10B | 80 BPM | ||
Die Zirkusprinzessin (The Circus Princess), Act I: Zwei Marchenaugen | Emmerich Kálmán, Maria Tiboldi, Marika Nemeth, Anna Zentai, Andrea Zsadon | C Major | 1 | 8B | 0 BPM | ||
String Quintet No. 5 in E Major, G. 275: III. Minuetto | 麥家樂, Russian Chamber Symphony Orchestra | G Major | 2 | 9B | 97 BPM |
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