"Concert pour quatre parties de violes, H. 545: I. Prélude" by Marc-Antoine Charpentier, Jordi Savall, Le Concert Des Nations was released on August 25, 2014. The duration of Concert pour quatre parties de violes, H. 545: I. Prélude is about 3 minutes long, at 3:20. Based on our data, "Concert pour quatre parties de violes, H. 545: I. Prélude" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 29 out of 46 in Charpentier à la chapelle royale de Versailles by Marc-Antoine Charpentier, Jordi Savall. In terms of popularity, Concert pour quatre parties de violes, H. 545: I. Prélude is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Concert pour quatre parties de violes, H. 545: I. Prélude by Marc-Antoine Charpentier, Jordi Savall, Le Concert Des Nations is Andante (at a walking pace), since this song has a tempo of 94 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Médée, H. 491, Act IV: Duo, chœur et ritournelle. "Tout ressent le pouvoir du plaisir" | Marc-Antoine Charpentier, Le Concert Spirituel, Herve Niquet, Jehanne Amzal, Marine Lafdal-Franc | F Minor | 2 | 4A | 115 BPM | ||
Actéon, H. 481, Scene III: Nymphes, dans ce buisson quel bruit viens-je d'entendre ? | Marc-Antoine Charpentier, Les Arts Florissants, William Christie, Agnes Mellon, Dominique Visse | F♯ Major | 1 | 2B | 92 BPM | ||
Un flambeau, Jeanette-Isabelle, H. 460c: Noel: Un flambeau, Janette, Isabelle!, H. 460c | Marc-Antoine Charpentier, Tracy Smith Bessette, Christine Stelmacovich, David Nortman, Curtis Streetman, Christopher Dawes, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 84 BPM | ||
Symphony in A Major, J-C 62: II. Andante e pianissimo | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Minor | 0 | 1A | 104 BPM | ||
Historia der Auferstehung Jesu Christi, SWV 50: I. Introitus. Die Auferstehung unsers Herren Jesu Christi | Heinrich Schütz, Margret Baumgartl, Karina Müller, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann | D♭ Major | 1 | 3B | 169 BPM | ||
Suite in A Minor: VI. Menuet de Poitou et son Double | Louis Couperin, Laurence Cummings | A♭ Minor | 2 | 1A | 118 BPM | ||
Venus & Adonis: Overture | John Blow, Orchestra of the Age of Enlightenment, René Jacobs | D♭ Minor | 3 | 12A | 116 BPM | ||
Saul, HWV 53: Act I Scene 5: Air: O Lord, whose Mercies numberless (David) | George Frideric Handel, Stephan MacLeod, David Cordier, Knut Schoch, Barbara Schlick, Claron McFadden, Marcel Beekman, Gotthold Schwarz, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini | E Major | 0 | 12B | 61 BPM | ||
Trumpet Concerto in D Major, G. 28: I. Allegro | Giuseppe Torelli, Niklas Eklund, Wasa Baroque Ensemble, Edward H. Tarr | A♭ Major | 2 | 4B | 95 BPM | ||
Concerto in F Major, Seibel 234: 3. Un poco Allegro | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | E Major | 0 | 12B | 99 BPM |
Section: 0.6000208854675293
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