"Miks Ma Ei Tapa Ennast" by Kamerkoor JIP, Diederik van der Laag, Imre Ploeg was released on September 1, 2020. With this song being about 5 minutes long, at 4:54, "Miks Ma Ei Tapa Ennast" by Kamerkoor JIP, Diederik van der Laag, Imre Ploeg is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 21 in the song's album "The First Five Years". In this album, this song's track order is #15. Furthermore, we believe that the track originated from Turks and Caicos Islands. Based on our statistics, Miks Ma Ei Tapa Ennast's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Miks Ma Ei Tapa Ennast by Kamerkoor JIP, Diederik van der Laag, Imre Ploeg having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ecce quomodo moritur justus | Jacobus Gallus, Sächsisches Vocalensemble, Matthias Jung | F Major | 0 | 7B | 137 BPM | ||
Canticles & Prayers, Having Beheld a Strange Nativity: No. 11, Glory (Quiet) | Georgy Sviridov, Latvian Radio Choir, Sigvards Kļava | A♭ Minor | 0 | 1A | 84 BPM | ||
Stabat Mater: IV. Sancta Mater, istud agas | Domenico Scarlatti, Musica Sacra, Indra Hughes | B♭ Major | 2 | 6B | 137 BPM | ||
Dialogues des Carmélites, FP 159: Ave Maria | Francis Poulenc, Cantemus Children Choir, Szabó Dénes, Váradi Antal | B Minor | 0 | 10A | 85 BPM | ||
Σε Υμνούμεν | Χορωδία Ι. Ν. Αγίων Κυρίλλου & Μεθοδίου | A Minor | 0 | 8A | 63 BPM | ||
Hymn of Kassia | University of King's College Chapel Choir, Paul Halley | G Minor | 0 | 6A | 79 BPM | ||
Misatango, Misa a Buenos Aires: IV. Qui tollis | MartÍn Palmeri, Chœur régional Vittoria d'Ile de France, Orchestre Pasdeloup, Michel Piquemal, Sophie Hanne, Gilberto Pereyra | F Minor | 1 | 4A | 75 BPM | ||
O Virgo Maria | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | F Major | 1 | 7B | 177 BPM | ||
Requiem, Op. 9: Sanctus - Benedictus | Maurice Duruflé, Collegium Vocale Seoul | F♯ Major | 1 | 2B | 130 BPM | ||
Mass of the Americas: IX. Salve regina | Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks | E Major | 3 | 12B | 88 BPM |
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