12 Etudes, L. 136: VI. Pour les huit doigts - 1951 Recording - Claude Debussy, Monique Haas Information

Claude Debussy, Monique Haas's '12 Etudes, L. 136: VI. Pour les huit doigts - 1951 Recording' came out on July 11, 2020. With 12 Etudes, L. 136: VI. Pour les huit doigts - 1951 Recording being less than two minutes long, at 1:37, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 20 out of 74 in Debussy - Time by Claude Debussy. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. 12 Etudes, L. 136: VI. Pour les huit doigts - 1951 Recording is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

12 Etudes, L. 136: VI. Pour les huit doigts - 1951 Recording BPM

The tempo marking of 12 Etudes, L. 136: VI. Pour les huit doigts - 1951 Recording by Claude Debussy, Monique Haas is Larghetto (rather broadly), since this song has a tempo of 61 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.

12 Etudes, L. 136: VI. Pour les huit doigts - 1951 Recording Key

G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.