On March 7, 2011, the song "Variations on a Theme by Haydn, Op.56a (1994 Digital Remaster): Variation V: Vivace" was released by Rudolf Kempe, Berliner Philharmoniker. With Variations on a Theme by Haydn, Op.56a (1994 Digital Remaster): Variation V: Vivace being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There is only one song in 100 Best Berliner Philharmoniker, so we believe that "Variations on a Theme by Haydn, Op.56a (1994 Digital Remaster): Variation V: Vivace" is a single. In terms of popularity, Variations on a Theme by Haydn, Op.56a (1994 Digital Remaster): Variation V: Vivace is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Variations on a Theme by Haydn, Op.56a (1994 Digital Remaster): Variation V: Vivace by Rudolf Kempe, Berliner Philharmoniker is Andante (at a walking pace), since this song has a tempo of 97 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony N. 1 in C Minore, Op. 68 - IV. Adagio–Allegro ma con brio | Johannes Brahms, Rudolf Kempe, Berliner Philharmoniker | C Major | 0 | 8B | 131 BPM | ||
7 Pieces enfantines (7 Children's Pieces): Chatterie (Titbit) | Paul Le Flem, Rhenish Philharmonic Orchestra, James Lockhart | B♭ Major | 0 | 6B | 115 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op. 61, MWV M13: Finale: Through this House Give Glimmering Light | Felix Mendelssohn, Kathleen Battle, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | E Major | 1 | 12B | 145 BPM | ||
Symphonie Espagnole In D Minor, Op.21: 5. Rondo (Allegro) | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Major | 2 | 10B | 83 BPM | ||
Rachmaninov: Scherzo in D Minor | Sergei Rachmaninoff, St Petersburg Philharmonic Orchestra (Leningrad)/Mariss Jansons, Mariss Jansons | D Minor | 1 | 7A | 109 BPM | ||
Tsarskaya nevesta (The Tsar's Bride): Overture | Nikolai Rimsky-Korsakov, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 1 | 8A | 78 BPM | ||
Die Freunde von Salamanka, D. 326: Ouverture. Allegro vivace | Franz Schubert, Vienna Radio Symphony Orchestra, Theodor Guschlbauer | C Major | 2 | 8B | 130 BPM | ||
Strauss, R: Ariadne auf Naxos, Op. 60, Opera: "Bin ich ein Gott, schuf mich ein Gott" (Bacchus, Ariadne) | Richard Strauss, Rudolf Kempe, Staatskapelle Dresden | D♭ Major | 3 | 3B | 76 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 1: Sanctus fortis, Sanctus Deus | Edward Elgar, Gabrieli, Paul McCreesh, Nicky Spence | D Major | 0 | 10B | 85 BPM | ||
Wagner: Lohengrin, WWV 75, Act 2 Scene 2: "Du Ärmste kannst wohl nie ermessen" (Elsa, Ortrud) | Richard Wagner, Elisabeth Grümmer/Christa Ludwig/Wiener Philharmoniker/Rudolf Kempe, Rudolf Kempe, Wiener Philharmoniker | G Major | 2 | 9B | 88 BPM |
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