"2 Studies on Ancient Greek Scales (Arr. J. Schneider for Guitar & Harp): No. 1, Olympos' Pentatonic" by Harry Partch, Just Strings, John Schneider, Amy Shulman was released on January 1, 2000. With 2 Studies on Ancient Greek Scales (Arr. J. Schneider for Guitar & Harp): No. 1, Olympos' Pentatonic being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Just Strings's "Just West Coast" album is number 7 out of 24. On top of that, United States appears to be the country where this track was created. In terms of popularity, 2 Studies on Ancient Greek Scales (Arr. J. Schneider for Guitar & Harp): No. 1, Olympos' Pentatonic is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of 2 Studies on Ancient Greek Scales (Arr. J. Schneider for Guitar & Harp): No. 1, Olympos' Pentatonic by Harry Partch, Just Strings, John Schneider, Amy Shulman to be Moderato (at a moderate speed) because the track has a tempo of 117 BPM, a half-time of 58BPM, and a double-time of 234 BPM. Based on that, the speed of the song's tempo is moderate. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of G Minor. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Heaven Ladder, Book 7: Simone's Lullaby (arr. E.-M. Zimmermann for piano 4 hands) | Terry Riley, ZOFO Duet | A Minor | 6 | 8A | 96 BPM | ||
Delusion of the Fury: Act II: Treats with Life and with Life Despite Life: Time of Fun Together | Harry Partch, John Stannard, Victoria Bond, Paul Bergen, Ensemble of Unique Instruments, Danlee Mitchell | E♭ Major | 6 | 5B | 125 BPM | ||
Love In The Afternoon | Balanescu Quartet | F Major | 2 | 7B | 173 BPM | ||
Főcím - From "Őszi Almanach" | Víg Mihály | C Major | 0 | 8B | 99 BPM | ||
Even Wild Horses. Dance Music for an Absent Drama, Act II, Scene III: "Land of Darkness and of Whirlwinds" (Slow, Fast, Wild!) | Harry Partch, Gate 5 Ensemble, Horace Schwartz | D♭ Minor | 3 | 12A | 75 BPM | ||
String Quartet No. 2 | Sofia Gubaidulina, Stamic Quartet | D Major | 0 | 10B | 77 BPM | ||
Umi e (Toward the Sea): I - The Night | Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble | F♯ Major | 0 | 2B | 71 BPM | ||
Scene 1 | Michael Galasso | A Minor | 2 | 8A | 117 BPM | ||
Poème Electronique | Edgard Varèse | A♭ Major | 0 | 4B | 70 BPM | ||
Melodies for Saxophone: Melody 1 | Philip Glass, The Raschèr Saxophone Quartet, Andrew Sterman, Jon Gibson, Richard Peck | C Major | 1 | 8B | 95 BPM |
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