Gioachino Rossini, Maria Callas, Franco Calabrese, Mariano Stabile, Gianandrea Gavazzeni, Orchestra Del Teatro Alla Scala, Milano's 'Rossini: Il turco in Italia, Act 2: "Sì, mi è forza partir" (Fiorilla, Prosdocimo, Geronio)' came out on 1955. With Rossini: Il turco in Italia, Act 2: "Sì, mi è forza partir" (Fiorilla, Prosdocimo, Geronio) being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 44 in the song's album "Rossini: Il turco in Italia (1954 - Gavazzeni) - Callas Remastered". In this album, this song's track order is #41. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Rossini: Il turco in Italia, Act 2: "Sì, mi è forza partir" (Fiorilla, Prosdocimo, Geronio)'s popularity is unknown right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Rossini: Il turco in Italia, Act 2: "Sì, mi è forza partir" (Fiorilla, Prosdocimo, Geronio) by Gioachino Rossini, Maria Callas, Franco Calabrese, Mariano Stabile, Gianandrea Gavazzeni, Orchestra Del Teatro Alla Scala, Milano having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ciro in Babilonia, Act I, Scene 6: Stanco di tue ripulse alfin son io (Baldassarre) | Gioacchino Rossini, Orchestra Sinfonica di Sanremo, Carlo Rizzi, Ernesto Palacio | A♭ Major | 1 | 4B | 133 BPM | ||
Rossini: Otello, Act 2: "Ah! vieni, nel tuo sangue vendicherò le offese" (Otello, Rodrigo) | Gioachino Rossini, Michael Spyres, Lawrence Brownlee, I Virtuosi Italiani, Corrado Rovaris | F Major | 4 | 7B | 140 BPM | ||
Lucia di Lammermoor / Act 3: "Ohimè! sorge il tremendo fantasma" | Gaetano Donizetti, Dame Joan Sutherland, Pier Francesco Poli, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 3 | 4A | 133 BPM | ||
Tosca / Act 1: "E buona la mia Tosca" - "Siam soli?" | Giacomo Puccini, José Carreras, Gottfried Hornik, Fernando Corena, Berliner Philharmoniker, Herbert von Karajan, Schoeneberger Saengerknaben, Chor der Deutschen Oper Berlin | B♭ Major | 2 | 6B | 99 BPM | ||
La fille du régiment / Act 1: Je suis soldat | Gaetano Donizetti, Luciano Pavarotti, Spiro Malas, Eric Garrett, Dame Joan Sutherland, Monica Sinclair, Jules Bruyere, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D♭ Major | 2 | 3B | 77 BPM | ||
Carmen: Act I: Dans l'air nous suivons des yeux la fumee | Georges Bizet, Alexandrina Milcheva, Nikola Nikolov, Liliana Vassileva, Nicola Ghiuselev, Stefka Popangelova, Tsvetanka Arshinkova, Milen Paounov, Verter Vrachovsky, Pavel Gerdjikov, Georgi Genov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Ivan Marinov | E Major | 1 | 12B | 78 BPM | ||
Otello / Act 1: "Esultate!" | Giuseppe Verdi, Luciano Pavarotti, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | D Major | 3 | 10B | 134 BPM | ||
Il Barbiere di Siviglia, IGR 76, Act I: "Mille grazie... mio signore" (Coro, Il Conte, Fiorello) | Gioacchino Rossini, Orchestra Filarmonica di Vienna, Claudio Abbado, Coro dell'Opera di Stato di Vienna, Hans Krämmer | G Major | 6 | 9B | 60 BPM | ||
La Bohème: Act II: Walzer der Musetta: Quando m'en vo soletta | Giacomo Puccini, Diana Damrau, Muenchner Rundfunkorchester, Munich Radio Orchestra | A Major | 2 | 11B | 165 BPM | ||
Les Contes d'Hoffmann / Act 1: "Il était une fois à la cour d'Eisenach" (La légende de Kleinzach) | Jacques Offenbach, Plácido Domingo, Robin Leggate, Choeurs de Radio France, Orchestre National De France, Seiji Ozawa | A Minor | 2 | 8A | 94 BPM |
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