- BPM
- 155
- Key
- D Major
- Camelot
- 10B
Adam Zero: Bridal Ceremony - Arthur Bliss, English Northern Philharmonia, David Lloyd-Jones Information
- Acousticness
- 94%
- Danceability
- 11%
- Energy
- 6%
- Instrumentalness
- 97%
- Liveness
- 13%
- Loudness
- 60%
- Speechiness
- 3%
- Valence
- 4%
- Popularity
- 2%
- Loudness
- -24.177 dB
Summary
"Adam Zero: Bridal Ceremony" by Arthur Bliss, English Northern Philharmonia, David Lloyd-Jones was released on June 4, 1996. With Adam Zero: Bridal Ceremony being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 11 out of 21 in Bliss: Colour Symphony (A) / Adam Zero by Arthur Bliss, David Lloyd-Jones. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Adam Zero: Bridal Ceremony's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Adam Zero: Bridal Ceremony BPM
The tempo marking of Adam Zero: Bridal Ceremony by Arthur Bliss, English Northern Philharmonia, David Lloyd-Jones is Allegro (fast, quick, and bright), since this song has a tempo of 155 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with running. The time signature for this track is 3/4.
Adam Zero: Bridal Ceremony Key
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Le Tombeau de Couperin, M. 68: V. Menuet (Arr. for Oboe and Orchestra by Joachim Schmeißer) | Maurice Ravel, Albrecht Mayer, Bamberg Symphony, Jakub Hrůša | G Major | 0 | 9B | 97 BPM | |
 | Piano Concerto No. 2 in F Major, Op. 102: III. Allegro | Dmitri Shostakovich, I Musici de Montréal, Maxim Shostakovich | F Major | 3 | 7B | 164 BPM | |
 | Symphony No. 3 in C Minor, Op. 78 "Organ": Allegro moderato | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | A♭ Major | 1 | 4B | 109 BPM | |
 | Holberg Suite, Op. 40: 2. Sarabande (Andante) | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi | G Major | 0 | 9B | 75 BPM | |
 | Gli uccelli (The Birds), P. 154: V. Il cucu: Allegro | Ottorino Respighi, Chamber Orchestra of New York, Salvatore Di Vittorio | A Major | 1 | 11B | 117 BPM | |
 | Things to Come: I. Prologue. Maestoso | Arthur Bliss, Rumon Gamba, BBC Philharmonic Orchestra | G Major | 2 | 9B | 73 BPM | |
 | The Firebird, KC 10: IX. Second tableau - Disparition du palais et des sortilèges de Kachtcheï, animation des chevaliers pétrifiés | Igor Stravinsky, London Symphony Orchestra, Valery Gergiev | B Major | 3 | 1B | 90 BPM | |
 | Symphony No. 3 in C Minor, Op. 78, "Organ": Finale | Camille Saint-Saëns, Alfred Scholz, London Festival Orchestra | C Major | 5 | 8B | 118 BPM | |
 | Concerto for Horn and Orchestra, Op. 91: II. Andante | Reinhold Glière, Sir Edward Downes, BBC Philharmonic, Richard Watkins | E♭ Major | 0 | 5B | 132 BPM | |
 | Crown Imperial | William Walton, English Northern Philharmonia, Paul Daniel | C Major | 3 | 8B | 116 BPM |
- ISRC
- HKI199504911
- Label
- L-M Records/RCA Records
Section: 0.6958942413330078
End: 0.7039000988006592