Arthur Bliss, Rumon Gamba, BBC Philharmonic Orchestra's 'Things to Come: I. Prologue. Maestoso' came out on March 1, 2001. The duration of Things to Come: I. Prologue. Maestoso is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Things to Come: I. Prologue. Maestoso's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 26 in the song's album "The Film Music of Sir Arthur Bliss". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Things to Come: I. Prologue. Maestoso is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Things to Come: I. Prologue. Maestoso by Arthur Bliss, Rumon Gamba, BBC Philharmonic Orchestra having a BPM of 73 with a half-time of 36 BPM and a double-time of 146 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shéhérazade, Op. 35: I. The Sea and Sinbad's Ship | Nikolai Rimsky-Korsakov, Sergej Galaktionov, Gianandrea Noseda, Filarmonica Teatro Regio Torino | E Major | 1 | 12B | 136 BPM | ||
Salut d'amour, Op. 12 (version for orchestra) | Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper | B♭ Major | 1 | 6B | 82 BPM | ||
Proving the Existence of Folkloric Creatures | Milo Paulus | F♯ Major | 3 | 2B | 65 BPM | ||
The Hebrides, Op. 26 "Fingal's Cave" | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | D Major | 1 | 10B | 137 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Pantomime: Vivace | Philip Lane, Royal Ballet Sinfonia, David Lloyd-Jones | G Minor | 2 | 6A | 113 BPM | ||
The Birds, P. 154: IV. The Nightingale (L'usignolo) | Ottorino Respighi, Orpheus Chamber Orchestra | C Major | 0 | 8B | 85 BPM | ||
Bass Tuba Concerto in F Minor: I. Prelude. Allegro moderato | Øystein Baadsvik, Singapore Symphony Orchestra, Anne Manson | B♭ Minor | 1 | 3A | 115 BPM | ||
A PLAY ABOUT GHOSTS | ЧЕПЦОВ Александр, LEX STONE | D Major | 2 | 10B | 178 BPM | ||
El sombrero de tres picos, Pt. 2: IV. Danza final | Manuel de Falla, Carlos Miguel Prieto, The Orchestra of the Americas | C Major | 4 | 8B | 89 BPM |
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