- BPM
- 82
- Key
- F Major
- Camelot
- 7B
Suscipe quaeso Domine - Thomas Tallis, Owain Park, The Gesualdo Six Information
- Acousticness
- 97%
- Danceability
- 8%
- Energy
- 14%
- Instrumentalness
- 80%
- Liveness
- 10%
- Loudness
- 64%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 4%
- Loudness
- -21.481 dB
Summary
"Suscipe quaeso Domine" by Thomas Tallis, Owain Park, The Gesualdo Six was released on March 30, 2018. Suscipe quaeso Domine appears to be safe for all ages as it is not explicit. The song is number 1 out of 17 in English Motets: From Dunstaple to Gibbons by The Gesualdo Six, Thomas Tallis, Owain Park, William Byrd, Thomas Tomkins, John Sheppard, Robert White, John Dunstable, Thomas Morley, John Taverner, William Cornysh I, Orlando Gibbons, Robert Parsons. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Suscipe quaeso Domine is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Suscipe quaeso Domine BPM
The tempo marking of Suscipe quaeso Domine by Thomas Tallis, Owain Park, The Gesualdo Six is Andante (at a walking pace), since this song has a tempo of 82 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
Suscipe quaeso Domine Key
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Historia der Auferstehung Jesu Christi, SWV 50: I. Introitus. Die Auferstehung unsers Herren Jesu Christi | Heinrich Schütz, Margret Baumgartl, Karina Müller, Hille Perl, Lee Santana, Ludger Rémy, Instrumenta Musica, The Sirius Viols, Dresdner Kammerchor, Hans-Christoph Rademann | D♭ Major | 1 | 3B | 169 BPM | |
 | Tenebrae Responsories, Feria quinta: IV. Amicus meus | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | A Minor | 1 | 8A | 131 BPM | |
 | Repleti sunt | Jacobus Gallus, Pro Musica, Szabó Dénes | F Minor | 1 | 4A | 134 BPM | |
 | Sestina, prima parte: "Incenerite spoglie" | Claudio Monteverdi, La Chapelle Vocale de l'Université de Lausanne, Jean-Christophe Aubert | B♭ Minor | 1 | 3A | 69 BPM | |
 | Intemerata Dei Mater | Johannes Ockeghem, Musica Ficta, Bo Holten | D♭ Minor | 2 | 12A | 110 BPM | |
 | In Nomine No. 20, 'Crye' | Christopher Tye, The Rose Consort Of Viols | D♭ Minor | 1 | 12A | 98 BPM | |
 | Jahrkreis, Op. 5: No. 39: Wie der Hirsch schreiet nach frischem Wasser | Hugo Distler, Sjaella, Ensemble Nobiles | A Minor | 1 | 8A | 98 BPM | |
 | Warum ist das Licht gegeben dem Mühseligen? Op. 74 No. 1: II. Lasset uns. Wenig bewegter | Johannes Brahms, Cappella Amsterdam, Daniel Reuss | D♭ Major | 2 | 3B | 176 BPM | |
 | Mass for Double Choir: Agnus Dei | Frank Martin, Mikaeli Chamber Choir, Anders Eby | E Minor | 0 | 9A | 125 BPM | |
 | Mass in E-Flat Major (Cantus missae), Op.109: III. Credo | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | A♭ Major | 1 | 4B | 118 BPM |
- ISRC
- GBAJY1825601
- Label
- L-M Records/RCA Records
Section: 0.6678755283355713
End: 0.6721227169036865