"Cello Sonata in C Major, Op. 119: I. Andante grave" by Sergei Prokofiev, Yo-Yo Ma, Emanuel Ax was released on 1991. Cello Sonata in C Major, Op. 119: I. Andante grave appears to be safe for all ages as it is not explicit. There are a total of 7 in the song's album "Rachmaninoff, Prokofiev: Cello Sonatas (Remastered)". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Cello Sonata in C Major, Op. 119: I. Andante grave is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cello Sonata in C Major, Op. 119: I. Andante grave by Sergei Prokofiev, Yo-Yo Ma, Emanuel Ax having a BPM of 75 with a half-time of 38 BPM and a double-time of 150 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Wagner - Isoldes Liebestod aus Tristan und Isolde, S447/R280 | Franz Liszt, William Wolfram | B Major | 1 | 1B | 67 BPM | ||
3 Preludes (Arr. for Cello & Piano): No. 1, Allegro ben ritmato e deciso | George Gershwin, Yo-Yo Ma | C Minor | 2 | 5A | 87 BPM | ||
Piano Sonata No.3 in F sharp minor, Op.23: 3. Andante | Alexander Scriabin, Vladimir Ashkenazy | B Major | 0 | 1B | 67 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): III. Nocturne | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | B♭ Major | 2 | 6B | 92 BPM | ||
Thaïs: Méditation (Arr. for Cello & Piano) | Jules Massenet, Yo-Yo Ma, Kathryn Stott | D Major | 0 | 10B | 80 BPM | ||
L’arlésienne Suite No. 2 (Arr. E. Guiraud): III. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | E♭ Major | 0 | 5B | 76 BPM | ||
Piano Quartet in E-flat Major, Op.16: III. Rondo: Allegro, ma non troppo | Isaac Stern, Jaime Laredo, Yo-Yo Ma, Emanuel Ax | E♭ Major | 1 | 5B | 147 BPM | ||
Violin Concerto in D Major: II. Aria I | Igor Stravinsky, Sir Neville Marriner, Academy of St. Martin in the Fields, Hilary Hahn | D Minor | 1 | 7A | 96 BPM | ||
Shostakovich: Violin Concerto No. 1 in A Minor, Op. 77: IV. Burlesque. Allegro con brio - Presto | Dmitri Shostakovich, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | E♭ Major | 7 | 5B | 160 BPM | ||
Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso | Franz Liszt, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | A♭ Major | 1 | 4B | 92 BPM |
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