"Bald ist es Mitternacht (Pique Dame)" by Elisabeth Grümmer, Berliner Rundfunk-Sinfonie-Orchester was released on March 20, 2008. Bald ist es Mitternacht (Pique Dame) is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. The track order of this song in Elisabeth Grümmer's "Lebendige Vergangenheit - Elisabeth Grümmer" album is number 12 out of 17. Bald ist es Mitternacht (Pique Dame) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bald ist es Mitternacht (Pique Dame) by Elisabeth Grümmer, Berliner Rundfunk-Sinfonie-Orchester to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Semiramide: Sento l'amica speme (Semiramide) | Antonio Salieri, Diana Damrau, Jérémie Rhorer, Le Cercle De L'Harmonie | B♭ Major | 2 | 6B | 132 BPM | ||
La Traviata / Act 3: "Prendi, quest'è l'immagine" | Giuseppe Verdi, Ileana Cotrubas, Helena Jungwirth, Plácido Domingo, Sherrill Milnes, Giovanni Foiani, Bavarian State Orchestra, Carlos Kleiber | D♭ Major | 2 | 3B | 88 BPM | ||
Weber: Der Freischütz, Op. 77, J. 277, Act 3 Scene 4: No. 14, Volkslied, "Wir winden dir den Jungfernkranz" (Brautjungfern, Chorus, Agathe, Ännchen) | Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth | E♭ Major | 0 | 5B | 68 BPM | ||
La Norma: Ouverture | Vincenzo Bellini, Rundfunkorchester Des Südwestfunks, Klaus Arp3 | A Major | 1 | 11B | 123 BPM | ||
Attila: "Mentre gonfiarsi l'anima" | Giuseppe Verdi, Ildar Abdrazakov, Orchestre Métropolitain, Yannick Nézet-Séguin | F Major | 2 | 7B | 167 BPM | ||
La belle Hélène: Overture | Jacques Offenbach, Orchestre National de Lille, Darrell Ang | A Major | 2 | 11B | 82 BPM | ||
Don Carlo, Act III: Son io, mio Carlo - Per me giunto e il di supremo - O Carlo, ascolta | Giuseppe Verdi, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | A♭ Major | 0 | 4B | 81 BPM | ||
Boris Godunov: Coronation Scene | Modest Mussorgsky, Nicolai Ghiaurov, Bulgarian National Choir, Sofia Philharmonic Orchestra, Georgi Robev, Emil Chakarov | G Major | 3 | 9B | 89 BPM | ||
Mass In C, Op. 86: 1. Kyrie | Ludwig van Beethoven, Felicity Palmer, Helen Watts, Robert Tear, Christopher Keyte, Academy of St. Martin in the Fields, Stephen Cleobury, George Guest | E Major | 1 | 12B | 112 BPM | ||
Symphony No. 1 in D Major, Op. 25: I. Allegro | Sergei Prokofiev, Leonard Bernstein, New York Philharmonic | D Major | 1 | 10B | 134 BPM |
Section: 0.7683427333831787
End: 0.7753992080688477