Giacomo Puccini, Mathieu van Bellen, Mathias Halvorsen's 'La Bohème, SC 67, Act 1 (Arr. M. van Bellen & M. Halvorsen for Violin & Piano): No. 7, Si sente meglio [Live]' came out on November 18, 2022. The duration of La Bohème, SC 67, Act 1 (Arr. M. van Bellen & M. Halvorsen for Violin & Piano): No. 7, Si sente meglio [Live] is about two minutes long, specifically at 2:02. This song does not appear to have any foul language. La Bohème, SC 67, Act 1 (Arr. M. van Bellen & M. Halvorsen for Violin & Piano): No. 7, Si sente meglio [Live]'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 31 in the song's album "Puccini: La Bohème (Arr. M. van Bellen & M. Halvorsen for Violin & Piano) [Live]". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. La Bohème, SC 67, Act 1 (Arr. M. van Bellen & M. Halvorsen for Violin & Piano): No. 7, Si sente meglio [Live] is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Bohème, SC 67, Act 1 (Arr. M. van Bellen & M. Halvorsen for Violin & Piano): No. 7, Si sente meglio [Live] by Giacomo Puccini, Mathieu van Bellen, Mathias Halvorsen having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'Heure exquise | Reynaldo Hahn, Susan Graham | D♭ Major | 0 | 3B | 79 BPM | ||
Norma, Act I: "Casta diva" | Vincenzo Bellini, Leontyne Price, Henry Lewis | F Major | 1 | 7B | 178 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 166 BPM | ||
Cavalleria rusticana: Intermezzo | Pietro Mascagni, Valery Gergiev, Wiener Philharmoniker | F Major | 1 | 7B | 84 BPM | ||
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Anne Sofie von Otter, Francisco Araiza, Cheryl Studer, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate | G Major | 3 | 9B | 140 BPM | ||
Wesendonck Lieder, WWV 91: Der Engel | Richard Wagner, Jonas Kaufmann, Orchester der Deutschen Oper Berlin, Donald Runnicles | G Major | 2 | 9B | 126 BPM | ||
Les Contes d'Hoffmann / Act 1: Entr'acte | Jacques Offenbach, Orchestre de la Suisse Romande, Richard Bonynge | E Major | 2 | 12B | 100 BPM | ||
Miniera | Leo Nucci, Salotto Ottocento Ensemble | A Major | 2 | 11B | 119 BPM | ||
Bizet: Les Pêcheurs de perles, Act 1: "Au fond du temple saint" (Nadir, Zurga) | Georges Bizet, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | E♭ Major | 2 | 5B | 88 BPM | ||
Madama Butterfly (1986 - Remaster), Act I: Viene la sera (Pinkerton/Butterfly/Suzuki) | Giacomo Puccini, Renata Scotto, Anna Di Stasio, Carlo Bergonzi, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | E♭ Major | 0 | 5B | 117 BPM |
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