"Strathclyde Concerto No. 1 for Oboe, Op. 128: III. Allegro" by Peter Maxwell Davies, Robin Miller, Scottish Chamber Orchestra, William Conway was released on March 18, 2015. Since Strathclyde Concerto No. 1 for Oboe, Op. 128: III. Allegro is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "The Strathclyde Concertos, Volume 1". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Strathclyde Concerto No. 1 for Oboe, Op. 128: III. Allegro's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Strathclyde Concerto No. 1 for Oboe, Op. 128: III. Allegro by Peter Maxwell Davies, Robin Miller, Scottish Chamber Orchestra, William Conway having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
V. Pieds-en-l'air | Peter Warlock, Metamorphosen Berlin, Wolfgang Emanuel Schmidt | G Major | 0 | 9B | 85 BPM | ||
Toccata arpeggiata | Giovanni Girolamo Kapsberger, Jonas Nordberg | F Major | 0 | 7B | 115 BPM | ||
Berceuse, Op. 57 | Frédéric Chopin, Kathryn Stott | B Major | 6 | 1B | 212 BPM | ||
4 Lieder, Op. 27: 4. Morgen! | Richard Strauss, Jessye Norman, Gewandhausorchester Leipzig, Kurt Masur | G Major | 0 | 9B | 81 BPM | ||
Fall of the Leaf: I. Theme. Andante | Imogen Holst, Thomas Hewitt Jones | A Major | 0 | 11B | 57 BPM | ||
The Fruit of Silence | Pēteris Vasks, Latvian Radio Choir, Sigvards Kļava, Vestards Šimkus | E Minor | 0 | 9A | 56 BPM | ||
Mandolin Concerto in C Major, RV 425: I. Allegro | Antonio Vivaldi, Avi Avital, Venice Baroque Orchestra | C Major | 2 | 8B | 97 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Solstice of Light: New Hills and Lochs and Shores | Peter Maxwell Davies, Neil Mackie, Christopher Hughes, Choir of King's College, Cambridge, Stephen Cleobury | B♭ Major | 0 | 6B | 85 BPM | ||
Concerto for Cello & Wind Band: II. Idylle | Friedrich Gulda, Nicolas Altstaedt, Alexander Joel, Deutsche Staatsphilharmonie Rheinland-Pfalz | B♭ Major | 0 | 6B | 80 BPM |
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