Jacques Offenbach, André Cluytens, Bourvil, Louis Musy, Orchestre du Théâtre national de l'Opéra-Comique made "Offenbach: Les contes d'Hoffmann, Act I: "Le conseiller Lindorf, morbleu !" (Lindorf, Andrès)" available on January 1, 1948. The duration of Offenbach: Les contes d'Hoffmann, Act I: "Le conseiller Lindorf, morbleu !" (Lindorf, Andrès) is about two minutes long, specifically at 2:22. This song does not appear to have any foul language. Offenbach: Les contes d'Hoffmann, Act I: "Le conseiller Lindorf, morbleu !" (Lindorf, Andrès)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 49 in the song's album "Offenbach: Les contes d'Hoffmann". In this album, this song's track order is #3. Furthermore, we believe that the track originated from France. Offenbach: Les contes d'Hoffmann, Act I: "Le conseiller Lindorf, morbleu !" (Lindorf, Andrès) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Offenbach: Les contes d'Hoffmann, Act I: "Le conseiller Lindorf, morbleu !" (Lindorf, Andrès) by Jacques Offenbach, André Cluytens, Bourvil, Louis Musy, Orchestre du Théâtre national de l'Opéra-Comique having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Voices of Spring, Op. 410 | Johann Strauss II, Leonard Bernstein | B♭ Major | 2 | 6B | 110 BPM | ||
Offenbach: Les Contes d'Hoffman, Act 1: "Elle est sur la scène, un peuple l'acclame" (La Muse, Chorus) | Jacques Offenbach, Kent Nagano, Orchestre De L'Opéra National De Lyon, Martin Sauer | D Major | 1 | 10B | 121 BPM | ||
Rimsky-Korsakov: Scheherazade, Op. 35: II. The Kalendar Prince (Excerpt) | Nikolai Rimsky-Korsakov, Riccardo Muti, Philadelphia Orchestra | B Minor | 0 | 10A | 146 BPM | ||
Operetta Le 66: XV. 15. No 8 Final. Ah, quel bonheur | Jacques Offenbach, Kölner Akademie, Michael Alexander Wilens, Sandrine Buendia, Pierre-antoine Chaumien, Armando Noguera | G Major | 1 | 9B | 95 BPM | ||
Pictures At An Exhibition: Promenade | Modest Mussorgsky, Chicago Symphony Orchestra, Carlo Maria Giulini | A♭ Major | 0 | 4B | 87 BPM | ||
Slavonic Dances, Op. 72, B. 147: No. 2, Dumka | Antonín Dvořák, George Szell, Cleveland Orchestra | C Major | 2 | 8B | 101 BPM | ||
The Blue Danube | Johann Strauss II, Eugene Ormandy | D Major | 1 | 10B | 176 BPM | ||
On The Wings Of Song Op. 34 No. 2 | Felix Mendelssohn, Sarah Chang, Charles Abramovic | D Major | 1 | 10B | 84 BPM | ||
Gymnopédie No. 1 in D Major: Lent et douloureux | Erik Satie, Charles Gerhardt | G Major | 1 | 9B | 63 BPM | ||
The 4 Seasons: Violin Concerto in E major, Op. 8, No. 1, RV 269, "La primavera" (Spring): II. Largo e pianissimo sempre | Karoly Botvay | D♭ Minor | 0 | 12A | 88 BPM |
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