"Wohin lenk` ich die müden Schritte (Die Königin von Saba)" by Leo Slezak was released on August 28, 2006. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Leo Slezak's "Lebendige Vergangenheit - Leo Slezak (Vol.2)" album is number 22 out of 25. Wohin lenk` ich die müden Schritte (Die Königin von Saba) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Wohin lenk` ich die müden Schritte (Die Königin von Saba) by Leo Slezak to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater, Op. 58, B. 71: V. Tui nati vulnerati. Andante con moto quasi allegretto | Antonín Dvořák, Prague Symphony Orchestra, Prague Philharmonic Choir, Jiří Bělohlávek, Jaroslav Brych | G Major | 0 | 9B | 88 BPM | ||
Fausto, Act II: Cavatina. Palpita nel seno gelido il cor | Louise Bertin, Karina Gauvin, Les Talens Lyriques, Christophe Rousset | D Major | 4 | 10B | 95 BPM | ||
Die tote Stadt, Op. 12: Mein Sehnen, mein Wähnen (Pierrot's Tanzlied) | Erich Wolfgang Korngold, Samuel Hasselhorn, Poznań Philharmonic Orchestra, Łukasz Borowicz | F Major | 1 | 7B | 129 BPM | ||
Strauss, R: 5 Lieder, Op. 48: No. 4, Winterweihe | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Allez, Ma Chérie | Fanny Hearst | F Minor | 0 | 4A | 71 BPM | ||
Delibes: Lakmé, Act 1: "Viens, Mallika" - Duo des fleurs. "Sous le dôme épais" (Lakmé, Mallika) | Léo Delibes, Georges Prêtre, Gianna D'Angelo, Jane Berbié, Orchestre Du Theatre National De L'Opera Comique | B Major | 1 | 1B | 170 BPM | ||
La Tempestad, Acto I: La Lluvia Ha Cesado (Monólogo de Simón) - Remastered | Ruperto Chapí, Miguel Ramos Carrión, Manuel Ausensi, Ataúlfo Argenta, Jose Perera, Orquesta De Camara De Madrid | C Major | 0 | 8B | 70 BPM | ||
6 Lieder, Op. 31: No. 6, Abschied | Ferdinand Ries, Wolfgang Müller von Königswinter, Äneas Humm, Judit Polgar | F Major | 2 | 7B | 93 BPM | ||
Four Last Songs, TrV 296 (Arr. for Piano and Soprano by Max Wolff): I. Frühling | Richard Strauss, Asmik Grigorian, Markus Hinterhäuser | E♭ Major | 0 | 5B | 69 BPM | ||
Massenet: Don Quichotte, Act 1: "Dulcinée est certes jolie" (Rodriguez, Juan) | Jules Massenet, Orchestre Du Capitole De Toulouse - Christian Papis - Michel Plasson - Nicolas Rivenq, Christian Papis, Nicolas Rivenq, Michel Plasson, Orchestre National Du Capitole De Toulouse | G Minor | 0 | 6A | 78 BPM |
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