"A Chance Waltz (arr. Y. Poteenko)" by M. Fradkin, Yuri Poteenko, Sergey Muravyov, Smolny Cathedral Chamber Choir, St. Petersburg State Academic Symphony Orchestra, Alexander Titov was released on May 1, 2012. The duration of A Chance Waltz (arr. Y. Poteenko) is about 3 minutes long, at 3:18. Based on our data, "A Chance Waltz (arr. Y. Poteenko)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. This song is part of Wartime Songs by Yuri Poteenko, Various Artists, Alexander Titov. The song's track number on the album is #9 out of 14 tracks. A Chance Waltz (arr. Y. Poteenko) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since A Chance Waltz (arr. Y. Poteenko) by M. Fradkin, Yuri Poteenko, Sergey Muravyov, Smolny Cathedral Chamber Choir, St. Petersburg State Academic Symphony Orchestra, Alexander Titov has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With A Chance Waltz (arr. Y. Poteenko) being at 88 BPM, the half-time would be 44 BPM with a double-time of 176 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Minor. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cavalleria rusticana: "Inneggiamo, il Signor non è morto" (Easter Hymn) | Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | G Major | 3 | 9B | 68 BPM | ||
Massenet: Thaïs, Act 2: "Celle qui vient est plus belle" (La charmeuse, Crobyle, Myrtale) | Jules Massenet, Sabine Devieilhe, Jodie Devos, Marianne Crebassa, Les Siècles, François-Xavier Roth | C Minor | 1 | 5A | 98 BPM | ||
Luisa Fernanda, Acto ii: Por el amor de una mujer | Estrella Alsina, José Perera, Orquesta de Conciertos de Madrid, Pedro Lavirgen, Teresa Tourné | F Major | 3 | 7B | 95 BPM | ||
Les bateliers de la Volga | Ivan Rebroff | F Minor | 3 | 4A | 85 BPM | ||
Ti voglio tanto bene | Ernesto de Curtis, Jonas Kaufmann, Jochen Rieder | D♭ Major | 1 | 3B | 116 BPM | ||
Air des clochettes (Extrait de Lakmé) | Léo Delibes, Orchestre Paul Kuentz, Elisabeth Vidal | G Major | 1 | 9B | 129 BPM | ||
The Snowstorm: II. Waltz | Georgy Sviridov, Vladimir Fedoseyev, State Academic Large Symphony Orchestra, State academic large symphony orchestra | A Major | 2 | 11B | 70 BPM | ||
Petite messe solennelle: Gratias agimus tibi | Gioachino Rossini, Orchestre de chambre de Paris, Ottavio Dantone, Delphine Galou, Michael Spyres, Alexander Vinogradov | A Major | 2 | 11B | 111 BPM | ||
La tarántula é un bicho mú malo (La Tempranica) | Geronimo Gimenez, Fatma Said, Sascha Goetzel, Orchestre Philharmonique de Monte-Carlo | C Major | 1 | 8B | 116 BPM | ||
Cavalleria rusticana: "Viva il vino spumeggiante" (Brindisi) | Pietro Mascagni, Adriane Martino, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | A♭ Major | 3 | 4B | 126 BPM |
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