"50 Preludes and Fugues for Organ, Book 1: Prelude and Fugue No. 11" by Howard Skempton, Matthew Owens was released on March 22, 2024. With 50 Preludes and Fugues for Organ, Book 1: Prelude and Fugue No. 11 being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 58 in the song's album "Skempton: 50 Preludes and Fugues for Organ". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. 50 Preludes and Fugues for Organ, Book 1: Prelude and Fugue No. 11 is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 50 Preludes and Fugues for Organ, Book 1: Prelude and Fugue No. 11 by Howard Skempton, Matthew Owens having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Binchois: Triste plaisir | Gilles Binchois, Jeremy Denk | G Minor | 0 | 6A | 161 BPM | ||
Love's Labour's Lost, Op.28: 1. Soliloquy 1: So sweet a kiss the golden sun gives not - Instrumental | Gerald Finzi, Aurora Orchestra, Nicholas Collon | C Minor | 1 | 5A | 99 BPM | ||
Berceuse, Op. 57 | Frédéric Chopin, Kathryn Stott | B Major | 6 | 1B | 212 BPM | ||
DANCE: III. in the middle of the fighting | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | A Minor | 1 | 8A | 82 BPM | ||
Wild Swans Suite - Version For Violin And Piano: 2. Eliza Aria | Elena Kats-Chernin, Daniel Hope, Jacques Ammon | F Major | 1 | 7B | 164 BPM | ||
Stille Musik: 3. Augenblicke der Serenade | Valentin Silvestrov | C Major | 0 | 8B | 86 BPM | ||
Canción | Manuel de Falla, Javier Perianes | C Minor | 0 | 5A | 76 BPM | ||
More Sweet Than My Refrain | Howard Skempton, Ars Nova Copenhagen, Paul Hillier | A Major | 0 | 11B | 82 BPM | ||
Trauermusik: IV. Choral (Arr. for Saxophone Quartet and Cello) | Paul Hindemith, Signum Saxophone Quartet, Hila Karni | B Minor | 0 | 10A | 70 BPM | ||
Materna Requiem: 6. Paradisum Interlude | Rebecca Dale, Royal Liverpool Philharmonic Orchestra, Clark Rundell | D♭ Major | 0 | 3B | 137 BPM |
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