Claude Debussy, Arturo Benedetti Michelangeli's 'Préludes / Book 1, L. 117: VIII. La fille aux cheveux de lin' came out on 1978. The duration of Préludes / Book 1, L. 117: VIII. La fille aux cheveux de lin is about two minutes long, specifically at 2:54. This song does not appear to have any foul language. Préludes / Book 1, L. 117: VIII. La fille aux cheveux de lin's duration is considered a little bit shorter than the average duration of a typical track. The song is number 8 out of 12 in Debussy: Préludes I by Claude Debussy, Arturo Benedetti Michelangeli. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Préludes / Book 1, L. 117: VIII. La fille aux cheveux de lin is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Préludes / Book 1, L. 117: VIII. La fille aux cheveux de lin by Claude Debussy, Arturo Benedetti Michelangeli is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Poulenc: Piano Concerto, FP 146: I. Allegretto | Francis Poulenc, James Conlon, Rotterdam Philharmonic Orchestra | G Minor | 1 | 6A | 130 BPM | ||
6 Consolations, S. 172: No. 4 in D-Flat Major (Quasi Adagio) | Franz Liszt, Daniel Barenboim | D♭ Major | 0 | 3B | 99 BPM | ||
Nocturne No. 21 in C Minor, Op. Posth. | Frédéric Chopin, Maria João Pires | C Minor | 0 | 5A | 79 BPM | ||
Sonata in C Minor, K. 11 | Domenico Scarlatti, Arturo Benedetti Michelangeli | C Minor | 0 | 5A | 99 BPM | ||
Piano Concerto in A Minor, Op. 16: II. Adagio - Remastered | Edvard Grieg, Arthur Rubinstein, Alfred Wallenstein, RCA Victor Symphony Orchestra | D♭ Major | 0 | 3B | 86 BPM | ||
Auf dem Wasser zu singen, D. 774 - Transcription: Franz Liszt, Searle 558 No. 2 | Franz Schubert, Evgeny Kissin | E♭ Major | 0 | 5B | 71 BPM | ||
Kitsch-Musik: III. Allegretto | Valentin Silvestrov, Elisaveta Blumina | E♭ Major | 0 | 5B | 65 BPM | ||
Partita No.1 In B Flat Major, BWV 825: Prelude | Johann Sebastian Bach, Rafał Blechacz | B♭ Major | 1 | 6B | 98 BPM | ||
5 Pieces, Op. 75, "The Trees": No. 4 Bjorken (The Birch) | Jean Sibelius, Håvard Gimse | E♭ Major | 0 | 5B | 64 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.2 in C minor BWV847 | Daniel Barenboim | C Minor | 1 | 5A | 68 BPM |
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