"Mass No. 3 in F Minor, WAB 28: Credo" by Anton Bruckner, Lenneke Ruiten, Iris Vermillion, Shawn Mathey, Franz-Josef Selig, Rundfunkchor Berlin, Orchestre de la Suisse Romande, Marek Janowski was released on March 26, 2013. Mass No. 3 in F Minor, WAB 28: Credo appears to be safe for all ages as it is not explicit. The song is number 3 out of 6 in Bruckner: Messe F-moll by Anton Bruckner, Orchestre de la Suisse Romande, Marek Janowski, Shawn Mathey, Iris Vermillion. Going off of the ISRC code of this track, we detected that the origin of this track is from Netherlands. Mass No. 3 in F Minor, WAB 28: Credo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass No. 3 in F Minor, WAB 28: Credo by Anton Bruckner, Lenneke Ruiten, Iris Vermillion, Shawn Mathey, Franz-Josef Selig, Rundfunkchor Berlin, Orchestre de la Suisse Romande, Marek Janowski is Adagio (slowly with great expression), since this song has a tempo of 68 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite No. 1, P. 109: II. Gagliarda: Allegro Marcato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 1 | 10B | 90 BPM | ||
La damnation de Faust, Op. 24, Part II: Ballet des syphes (Dance of the Spirits) | Hector Berlioz, Hungarian National Philharmonic, Ádám Fischer | D Major | 0 | 10B | 80 BPM | ||
Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM | ||
Aladdin Suite, Op. 34, FS 89: IV. Chinese Dance | Carl Nielsen, South Jutland Symphony Orchestra, Niklas Willen | E Minor | 1 | 9A | 95 BPM | ||
Korngold: Violin Concerto in D Major, Op. 35: III. Allegro assai vivace | Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | A Major | 1 | 11B | 122 BPM | ||
Symphony No. 4 in E-Flat Major - "Romantic", WAB 104 - Version 1878/1880: 3. Scherzo (Bewegt) - Trio (Nicht zu schnell. Keinesfalls schleppend) | Anton Bruckner, Wiener Philharmoniker, Karl Böhm | D♭ Major | 2 | 3B | 83 BPM | ||
Intermezzo and Serenade from Hassan | Frederick Delius, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 0 | 7B | 87 BPM | ||
Concertstück in F Major, Op. 86: II. Romanze. Ziemlich langsam | Robert Bonnevie, Mark Robbins, David C. Knapp, Scott Wilson, Seattle Symphony Orchestra, Robert Schumann, Gerard Schwarz | B♭ Major | 0 | 6B | 84 BPM | ||
The Rite of Spring: Part Two: The Sacrifice: Sacrificial Dance (The Chosen One) | Igor Stravinsky, Teodor Currentzis, musicAeterna | D Minor | 5 | 7A | 136 BPM | ||
String Quartet in D Minor, Op. posth. D.810 "Death and the Maiden": III. Scherzo. Allegro molto | Franz Schubert, Jerusalem Quartet | A Major | 1 | 11B | 139 BPM |
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