"Eight Pieces for Clarinet, Viola and Piano, Op. 83: No. 6 in G Minor" by Max Bruch, Janet Hilton, Nobuko Imai, Roger Vignoles was released on August 1, 1990. With this song being about 5 minutes long, at 5:20, "Eight Pieces for Clarinet, Viola and Piano, Op. 83: No. 6 in G Minor" by Max Bruch, Janet Hilton, Nobuko Imai, Roger Vignoles is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Janet Hilton, Nobuko Imai, Roger Vignoles's "Mozart, Schumann & Bruch: Clarinet Trios" album is number 13 out of 15. On top of that, United Kingdom appears to be the country where this track was created. Eight Pieces for Clarinet, Viola and Piano, Op. 83: No. 6 in G Minor is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Eight Pieces for Clarinet, Viola and Piano, Op. 83: No. 6 in G Minor by Max Bruch, Janet Hilton, Nobuko Imai, Roger Vignoles to be Lento (slowly) because the track has a tempo of 60 BPM, a half-time of 30BPM, and a double-time of 120 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Valse nonchalante en Ré-Bémol Majeur, Op. 110 | Camille Saint-Saëns, Anne Queffélec | D♭ Major | 0 | 3B | 68 BPM | ||
6 Violin Sonatas, Op. 10b No. 3 in D Minor, J. 101: I. Air Russe: Allegretto moderato | Carl Maria von Weber, Nino Gvetadze, Frederieke Saeijs | D Minor | 1 | 7A | 112 BPM | ||
Schumann: Symphony No. 2 in C Major, Op. 61: II. Scherzo (Allegro vivace) | Robert Schumann, San Francisco Symphony, Michael Tilson Thomas | G Major | 2 | 9B | 126 BPM | ||
Berceuse in B-Flat Major, Op. 38 | Camille Saint-Saëns, Fanny Clamagirand, Vanya Cohen | E Major | 1 | 12B | 71 BPM | ||
Partita No.1 In B Flat Major, BWV 825: Prelude | Johann Sebastian Bach, Rafał Blechacz | B♭ Major | 1 | 6B | 98 BPM | ||
Das Jahr: 12 Characterstucke: No. 9. September | Fanny Mendelssohn, Els Biesemans | G Major | 1 | 9B | 75 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster | E♭ Major | 0 | 5B | 100 BPM | ||
The Seasons, Op. 37B: VI. June. Barcarolle | Pyotr Ilyich Tchaikovsky, Neeme Järvi, Detroit Symphony Orchestra | D Major | 4 | 10B | 80 BPM | ||
Thaïs / Act II: Méditation (Arr. for Violin and Piano by Martin Marsick, Adapted for Cello and Piano by Mischa Maisky) | Jules Massenet, Mischa Maisky, Lily Maisky | D Major | 1 | 10B | 70 BPM | ||
Lyric Pieces Book V, Op. 54: No. 4 Notturno | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM |
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