"Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 14, Scene. Allegro con spirito" by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra was released on January 1, 1974. With this song being about 5 minutes long, at 5:23, "Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 14, Scene. Allegro con spirito" by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 61 in the song's album "Tchaikovsky: The Sleeping Beauty, Op. 66". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 14, Scene. Allegro con spirito is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tchaikovsky: The Sleeping Beauty, Op. 66, Act II "The Vision", Scene 1: No. 14, Scene. Allegro con spirito by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a BPM of 59 with a half-time of 30 BPM and a double-time of 118 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mother Goose: I. Prélude | Maurice Ravel, Barry Wordsworth, London Symphony Orchestra | G Major | 0 | 9B | 84 BPM | ||
L'Oiseau de feu, K010: VI. - VII. Supplications de l’oiseau de feu - Apparition des treize princesses enchantées | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | G Major | 0 | 9B | 78 BPM | ||
Eine Alpensinfonie: IV. Auf der Alm - Durch Dickicht und Gestrüpp auf Irrwegen | Richard Strauss, Bernard Haitink, London Symphony Orchestra | E♭ Major | 0 | 5B | 77 BPM | ||
Tchaikovsky: The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 26a, Pas de caractère. Little Red Riding-Hood and the Wolf | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | G Minor | 2 | 6A | 102 BPM | ||
Rapsodie espagnole, M. 54: IV. Feria | Maurice Ravel, London Symphony Orchestra, Claudio Abbado | B Major | 0 | 1B | 119 BPM | ||
Anakin's Theme | John Williams, London Symphony Orchestra | F Major | 1 | 7B | 74 BPM | ||
The Sleeping Beauty, Op.66, TH.13 / Act 2: 19. Entr'acte symphonique - Scène (Aurora's sleep) | Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti | C Major | 0 | 8B | 144 BPM | ||
L'Oiseau de feu, K010: X. Khorovod (Ronde) des princesses | Igor Stravinsky, Chicago Symphony Orchestra, Pierre Boulez | B Major | 0 | 1B | 142 BPM | ||
Mother Goose: V. Petit Poucet | Maurice Ravel, Barry Wordsworth, London Symphony Orchestra | C Minor | 0 | 5A | 96 BPM | ||
Raymonda, Act I: Valse fantastique | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | F Major | 1 | 7B | 180 BPM |
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