"The Sleeping Beauty, Op.66, TH.13 / Act 2: 19. Entr'acte symphonique - Scène (Aurora's sleep)" by Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti was released on January 1, 1981. Since The Sleeping Beauty, Op.66, TH.13 / Act 2: 19. Entr'acte symphonique - Scène (Aurora's sleep) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 42 in the song's album "Tchaikovsky: The Sleeping Beauty". In this album, this song's track order is #7. Based on our statistics, The Sleeping Beauty, Op.66, TH.13 / Act 2: 19. Entr'acte symphonique - Scène (Aurora's sleep)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Sleeping Beauty, Op.66, TH.13 / Act 2: 19. Entr'acte symphonique - Scène (Aurora's sleep) by Pyotr Ilyich Tchaikovsky, Concertgebouworkest, Antal Doráti having a BPM of 144 with a half-time of 72 BPM and a double-time of 288 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 5/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Giselle / Act 1: Pas de deux des jeunes paysans (Valse) | Adolphe Adam, Franz Burgmüller, Orchestre National de l'Opéra de Monte-Carlo, Richard Bonynge | B Major | 0 | 1B | 127 BPM | ||
Avant-dernières penseés: I. Idylle | Erik Satie, Philippe Entremont | B♭ Major | 0 | 6B | 96 BPM | ||
Romeo and Juliet, Op. 64 - Act 2: Folk Dance | Sergei Prokofiev, Cleveland Orchestra, Lorin Maazel | G Major | 2 | 9B | 122 BPM | ||
Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Hirtengesang. Frohe und dankbare Gefühle nach dem Sturm. Allegretto | Ludwig van Beethoven, Wiener Philharmoniker, Karl Böhm | F Major | 1 | 7B | 120 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 6. Ysobel (Andantino) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | C Major | 0 | 8B | 65 BPM | ||
Hérold & Lanchbery: La fille mal gardée, Act 1: No. 16d, Pas de deux de Fanny Elssler. Man's Solo | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | B♭ Major | 2 | 6B | 128 BPM | ||
Sinfonia No. 8 in D Major, MWV N8 (version for strings): III. Menuetto | Felix Mendelssohn, Northern Chamber Orchestra, Nicholas Ward | B Minor | 2 | 10A | 120 BPM | ||
Bianca e Faliero: Overture | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 1 | 7B | 85 BPM | ||
Hungarian Dance No. 21 in E Minor (Orch. Dvořák) | Johannes Brahms, Budapest Festival Orchestra, Iván Fischer | B Minor | 3 | 10A | 137 BPM | ||
Liebestraum No. 3 | Franz Liszt, Arthur Fiedler | A♭ Major | 1 | 4B | 79 BPM |
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