Erik Satie, Ronald Corp, New London Orchestra made "Mercure: V. Entrée et danse de Mercure" available on October 23, 1989. With Mercure: V. Entrée et danse de Mercure being less than two minutes long, at 1:07, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 47 in the song's album "Satie: Parade, Gymnopédies, Gnossiennes & Other Works for Orchestra". In this album, this song's track order is #15. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Mercure: V. Entrée et danse de Mercure's popularity is unknown right now. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
With Mercure: V. Entrée et danse de Mercure by Erik Satie, Ronald Corp, New London Orchestra having a BPM of 122 with a half-time of 61 BPM and a double-time of 244 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Horn Concerto in C Minor, Op. 8: I. Allegro moderato | Franz Strauss, Samuel Seidenberg, Frankfurt Radio Symphony Orchestra, Sebastian Weigle | E♭ Major | 1 | 5B | 112 BPM | ||
Pelleas et Melisande, Op. 80 (arr. C. Koechlin): I. Prelude - Andante molto moderato | Charles Koechlin, Gabriel Fauré, Sarah Wegener, Stuttgart Radio Symphony Orchestra, Heinz Holliger | E Major | 1 | 12B | 94 BPM | ||
Fuego Fatuo, Orchestral Suite on themes by Chopin: VII. Allegro ma non troppo | Real Filharmonia de Galicia | E♭ Major | 0 | 5B | 109 BPM | ||
Copland: Suite from Appalachian Spring: II. Allegro (1945 Version) | Aaron Copland, Minnesota Orchestra, Sir Neville Marriner | C Major | 0 | 8B | 87 BPM | ||
Satie: Parade: Prestidigitateur chinois | Erik Satie, Gautier Capuçon, Alexandre Tharaud | B Minor | 0 | 10A | 111 BPM | ||
Rhapsody on a Theme of Paganini, Op. 43: Var. 16, Allegretto | Sergei Rachmaninoff, Dubravka Tomšič, Ljubljana Symphony Orchestra, Anton Nanut | A Major | 3 | 11B | 106 BPM | ||
A Midsummer Night's Dream, Op. 61: No. 11, "Ein Tanz von Rübeln". Allegro di molto | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi, Katharina Konradi, Sophia Burgos | E Major | 1 | 12B | 72 BPM | ||
3 Gymnopedies (Arr. For Flute And Harp): Gymnopedie No. 1 (Arr. For Flute And Harp) | Nora Shulman, Judy Loman, Erik Satie, Donald Sosin | G Major | 1 | 9B | 69 BPM | ||
Symphony No. 3 in F Major, Op. 90: II. Andante (1) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM | ||
Mercure: X. Polka des lettres | Erik Satie, Ronald Corp, New London Orchestra | D Major | 3 | 10B | 122 BPM |
Section: 0.6177842617034912
End: 0.6218101978302002