- BPM
- 69
- Key
- G Major
- Camelot
- 9B
3 Gymnopedies (Arr. For Flute And Harp): Gymnopedie No. 1 (Arr. For Flute And Harp) - Nora Shulman, Judy Loman, Erik Satie, Donald Sosin Information
- Acousticness
- 98%
- Danceability
- 24%
- Energy
- 6%
- Instrumentalness
- 78%
- Liveness
- 10%
- Loudness
- 58%
- Speechiness
- 5%
- Valence
- 5%
- Popularity
- 21%
- Loudness
- -24.942 dB
Summary
"3 Gymnopedies (Arr. For Flute And Harp): Gymnopedie No. 1 (Arr. For Flute And Harp)" by Nora Shulman, Judy Loman, Erik Satie, Donald Sosin was released on February 6, 2002. The duration of 3 Gymnopedies (Arr. For Flute And Harp): Gymnopedie No. 1 (Arr. For Flute And Harp) is about 3 minutes long, at 3:00. Based on our data, "3 Gymnopedies (Arr. For Flute And Harp): Gymnopedie No. 1 (Arr. For Flute And Harp)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 13 out of 61 in A Bride's Guide To Wedding Music by Nora Shulman. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. 3 Gymnopedies (Arr. For Flute And Harp): Gymnopedie No. 1 (Arr. For Flute And Harp) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
3 Gymnopedies (Arr. For Flute And Harp): Gymnopedie No. 1 (Arr. For Flute And Harp) BPM
The tempo marking of 3 Gymnopedies (Arr. For Flute And Harp): Gymnopedie No. 1 (Arr. For Flute And Harp) by Nora Shulman, Judy Loman, Erik Satie, Donald Sosin is Adagio (slowly with great expression), since this song has a tempo of 69 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
3 Gymnopedies (Arr. For Flute And Harp): Gymnopedie No. 1 (Arr. For Flute And Harp) Key
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Sonatina No. 1 in C Major, Op. 36: II. Andante | Lang Lang | F Major | 1 | 7B | 176 BPM | |
 | Brahms: 16 Waltzes, Op. 39: No. 15 in A-Flat Major | Johannes Brahms, Moura Lympany | A♭ Major | 1 | 4B | 102 BPM | |
 | Waltz No. 19 in A Minor, KK IVb (Version for Harp in A Flat Minor) | Frédéric Chopin, Magdalena Hoffmann | A♭ Minor | 1 | 1A | 127 BPM | |
 | Pictures at an Exhibition (Orch. Ravel): II. The Old Castle | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | A♭ Major | 0 | 4B | 82 BPM | |
 | Warsaw Concerto | Richard Addinsell, Jean-Yves Thibaudet, BBC Symphony Orchestra, Hugh Wolff | B Major | 1 | 1B | 76 BPM | |
 | Piano Concerto No. 2 in C Minor, Op. 18: II. Adagio sostenuto | Sergei Rachmaninoff, Royal Liverpool Philharmonic Orchestra, Simon Trpčeski, Vasily Petrenko | E Major | 0 | 12B | 67 BPM | |
 | Prélude in A Minor | Maurice Ravel, Benjamin Grosvenor | G Minor | 0 | 6A | 98 BPM | |
 | Variation XVIII: Andante Cantabile | Sergei Rachmaninoff, Leonard Pennario, Arthur Fiedler, Boston Pops Orchestra | C Major | 4 | 8B | 148 BPM | |
 | Kol Nidrei - Adagio For Cello, Opus 47 | Max Bruch, Alisa Weilerstein, Staatskapelle Berlin, Daniel Barenboim | D Major | 1 | 10B | 81 BPM | |
 | Water Music Suite No. 1 in F: Air | Berliner Philharmoniker, Riccardo Muti | F Major | 1 | 7B | 73 BPM |
- ISRC
- HKI199717607
- Label
- L-M Records/RCA Records
Section: 1.0703997611999512
End: 1.0736188888549805