Francesco Cavalli, Dagmar Saskova, Ensemble Correspondances, Sébastien Daucé's 'Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "Ahi, ch'amarezza" (Dejanira)' came out on September 3, 2015. The duration of Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "Ahi, ch'amarezza" (Dejanira) is about 3 minutes long, at 3:25. Based on our data, "Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "Ahi, ch'amarezza" (Dejanira)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Ensemble Correspondances, Sébastien Daucé's "Le Concert royal de la Nuit" album is number 35 out of 68. On top of that, France appears to be the country where this track was created. Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "Ahi, ch'amarezza" (Dejanira) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Le Concert royal de la Nuit, Troisième Veille, Hercule amoureux: "Ahi, ch'amarezza" (Dejanira) by Francesco Cavalli, Dagmar Saskova, Ensemble Correspondances, Sébastien Daucé to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B Major is the music key of this track. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romanesca: Ohime, dov'e il mio ben, dov'e il mio core?: Part 1: Ohime, dov'e il mio ben, dov'e il mio core? | Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini | G Major | 0 | 9B | 85 BPM | ||
Violin Concerto in C Major, Op. 7 No. 3: I. Allegro | Jean-Marie Leclair, Fabio Biondi, Europa Galante | B Major | 2 | 1B | 83 BPM | ||
L'Egisto, Act I Scene 10: Di tue guancie divine (Bellezza, Volupia, Venere) | Francesco Cavalli, Vincent Dumestre, Le Poème Harmonique, Eugénie Lefebvre, Marielou Jacquard, Floriane Hasler, Caroline Meng | F♯ Major | 2 | 2B | 114 BPM | ||
Correnti e balletti, Op. 4: No. 33, Ciaconna | Maurizio Cazzati, London Baroque | D♭ Major | 3 | 3B | 96 BPM | ||
Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne) | George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni | F♯ Major | 1 | 2B | 172 BPM | ||
Abdelazer, Z, 570: Rondeau | Henry Purcell, Oslo Circles | D♭ Minor | 0 | 12A | 110 BPM | ||
Ciaccona | Johann Pachelbel, Ensemble les Surprises, Louis-Noël Bestion de Camboulas | A Minor | 1 | 8A | 80 BPM | ||
Concerto in G major: Largo | Georg Philipp Telemann, Hartmut Rohde, Georg Mais | G Major | 0 | 9B | 166 BPM | ||
Amarilli, mia bella (1601) | Giulio Caccini, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Major | 0 | 3B | 129 BPM | ||
Concerto Grosso in D Major, Op. 6 No. 4: II. Allegro | Arcangelo Corelli, Jordi Savall, Le Concert Des Nations | D♭ Major | 3 | 3B | 133 BPM |
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