"Romanesca: Ohime, dov'e il mio ben, dov'e il mio core?: Part 1: Ohime, dov'e il mio ben, dov'e il mio core?" by Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini was released on September 30, 2008. The duration of Romanesca: Ohime, dov'e il mio ben, dov'e il mio core?: Part 1: Ohime, dov'e il mio ben, dov'e il mio core? is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Romanesca: Ohime, dov'e il mio ben, dov'e il mio core?: Part 1: Ohime, dov'e il mio ben, dov'e il mio core?'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini's "Monteverdi, C.: Madrigals, Book 7, "Concerto" (Il Settimo Libro De Madrigali, 1619)" album is number 13 out of 46. Romanesca: Ohime, dov'e il mio ben, dov'e il mio core?: Part 1: Ohime, dov'e il mio ben, dov'e il mio core? is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Romanesca: Ohime, dov'e il mio ben, dov'e il mio core?: Part 1: Ohime, dov'e il mio ben, dov'e il mio core? by Claudio Monteverdi, Delitiæ Musicæ, Marco Longhini to be Andante (at a walking pace) because the track has a tempo of 85 BPM, a half-time of 42BPM, and a double-time of 170 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ma maistresse | Johannes Ockeghem, Capilla Flamenca | F Major | 1 | 7B | 125 BPM | ||
Stabat Mater: 5. Quis est homo | Giovanni Battista Pergolesi, Emma Kirkby, James Bowman, Academy of Ancient Music, Christopher Hogwood | B Minor | 1 | 10A | 80 BPM | ||
Cavalli: Eritrea, Act 1: "O luci belle" (Laodicea, Theramene) | Francesco Cavalli, Philippe Jaroussky, Emőke Baráth | A Minor | 1 | 8A | 76 BPM | ||
Altri Canti D’Amor - Tu Cui Tessuta Han Die Cesare Alloro | Jordi Savall, Claudio Monteverdi, Montserrat Figueras | D Major | 1 | 10B | 172 BPM | ||
Surrexit Christus hodie | Samuel Scheidt, Vox Luminis, Lionel Meunier | G Minor | 1 | 6A | 79 BPM | ||
San Giovanni Battista: Sinfonia | Alessandro Stradella, Concerto Italiano, Rinaldo Alessandrini | D♭ Major | 1 | 3B | 64 BPM | ||
Sir Anthony Love, or The Rambling Lady, Z. 588: II. Pursuing Beauty, Men Descry | Henry Purcell, Johane Ansell, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 137 BPM | ||
Byrd: Ye Sacred Muses | William Byrd, David James, London Baroque | B Major | 0 | 1B | 85 BPM | ||
Purcell : King Arthur : Act 1 "Woden, first to thee" [Bass, Chorus] | William Christie | E♭ Major | 1 | 5B | 134 BPM | ||
Laudate Pueri (Psalm 112): Laudate Pueri Dominum | George Frideric Handel, Alfred Deller, The Deller Consort | D♭ Major | 1 | 3B | 93 BPM |
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