On October 6, 2023, the song "Sinfonia No. 7 in G Minor, RosS 533.7: III. Grave" was released by Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700. The duration of Sinfonia No. 7 in G Minor, RosS 533.7: III. Grave is about two minutes long, specifically at 2:29. This song does not appear to have any foul language. Sinfonia No. 7 in G Minor, RosS 533.7: III. Grave's duration is considered a little bit shorter than the average duration of a typical track. The song is number 13 out of 27 in Alessandro Scarlatti: Baroque Influencer by Alessandro Scarlatti, Dorothee Oberlinger, Bruno de Sá, Ensemble 1700. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Based on our statistics, Sinfonia No. 7 in G Minor, RosS 533.7: III. Grave's popularity is unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Sinfonia No. 7 in G Minor, RosS 533.7: III. Grave by Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 is Allegro (fast, quick, and bright), since this song has a tempo of 138 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerto in D Major, Op. 4, No. 7: I. Allegro | Pietro Locatelli, Gernot Süssmuth, Raphael Hevicke, Thüringer Bach Collegium | E Major | 2 | 12B | 97 BPM | ||
Sei Concerti in sette parti: No. 3 in F Major: V. Allegro | Alessandro Scarlatti, Concerto de' Cavalieri, Marcello di Lisa | B Major | 5 | 1B | 82 BPM | ||
Concerto in D Minor; Op. 6 No. 5: IV. Allegro | Charles Avison, Café Zimmermann | D♭ Minor | 4 | 12A | 100 BPM | ||
Symphony in D Major, J-C 16: III. Presto | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | D♭ Major | 2 | 3B | 122 BPM | ||
Concerto grosso No. 6 in D Major: II. Con furia (After D. Scarlatti's Kk. 29) [2] | Charles Avison, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 139 BPM | ||
Diminution on "Anchor che col partire" by Cipriano da Rore | Giovanni Battista Spadi, Dorothee Oberlinger | A Minor | 1 | 8A | 102 BPM | ||
Leclair: Scylla et Glaucus, Op. 11, Prologue: Air gracieux | Jean-Marie Leclair, John Eliot Gardiner, English Baroque Soloists | A♭ Minor | 0 | 1A | 68 BPM | ||
Sinfonia No. 9 in G Minor, RosS 533.9: III. Moderato | Alessandro Scarlatti, Dorothee Oberlinger, Ensemble 1700 | F♯ Minor | 1 | 11A | 98 BPM | ||
Concerto grosso in G Minor, Op. 6 No. 8 "Christmas Concerto": III. Allegro (Arr. for Recorder, Strings & Continuo by Dorothee Oberlinger) | Arcangelo Corelli, Dorothee Oberlinger | G Minor | 3 | 6A | 78 BPM | ||
Sonata No. 7 in E Minor "La magnifique": I. Prélude | Louis-Nicolas Clérambault, Barthold Kuijken, Immanuel Davis, Arnie Tanimoto, Donald Livingston | D Minor | 1 | 7A | 125 BPM |
Section: 0.5461888313293457
End: 0.5503866672515869