Midori, Berliner Philharmoniker's 'Concerto in E minor for Violin and Orchestra, Op. 64/III. Allegretto non troppo - Allegro molto vivace' came out on 1989. Since Concerto in E minor for Violin and Orchestra, Op. 64/III. Allegretto non troppo - Allegro molto vivace is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 19 in the song's album "The Essential Midori". In this album, this song's track order is #19. Concerto in E minor for Violin and Orchestra, Op. 64/III. Allegretto non troppo - Allegro molto vivace is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto in E minor for Violin and Orchestra, Op. 64/III. Allegretto non troppo - Allegro molto vivace by Midori, Berliner Philharmoniker having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in A Minor, Op. 53: II. Adagio ma non troppo | Antonín Dvořák, Midori, Zubin Mehta, New York Philharmonic | D♭ Major | 0 | 3B | 71 BPM | ||
Piano Concerto No. 2 in C Minor, Op. 18: I. Moderato | Sergei Rachmaninoff, Arthur Rubinstein, Fritz Reiner | C Minor | 1 | 5A | 71 BPM | ||
Concerto No. 2 for Violin and Orchestra, Sz. 116/II. Andante tranquillo | Midori, Zubin Mehta, Berliner Philharmoniker | G Major | 0 | 9B | 131 BPM | ||
6 Moments musicaux, Op. 16: No. 4, Presto | Sergei Rachmaninoff, Boris Giltburg | E Minor | 2 | 9A | 126 BPM | ||
Carmen (Bizet) - Fantasie brillante | Jenő Hubay, Gil Shaham, Akira Eguchi | D Major | 2 | 10B | 114 BPM | ||
Gretchen am Spinnrade, D. 118 (Adapt. for Cello and Orchestra) | Franz Schubert, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | D Minor | 2 | 7A | 84 BPM | ||
Havanaise, Op. 83: Allegro | Camille Saint-Saëns, Jascha Heifetz, William Steinberg, RCA Victor Symphony Orchestra | E Major | 2 | 12B | 76 BPM | ||
Caprice in D Major, Op. 1, No. 20 | Niccolò Paganini, Midori | E♭ Major | 0 | 5B | 56 BPM | ||
Caprice in B-Flat Major, Op. 1, No. 13 | Niccolò Paganini, Midori | E♭ Major | 0 | 5B | 56 BPM | ||
Beethoven: Sonata for Piano and Violin No. 3 in E-Flat Major, Op. 12, No. 3: I. Allegro con spirito | Ludwig van Beethoven, Midori, Jean-Yves Thibaudet | D♭ Major | 1 | 3B | 143 BPM |
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