"Concerto No. 2 for Violin and Orchestra, Sz. 116/II. Andante tranquillo" by Midori, Zubin Mehta, Berliner Philharmoniker was released on 1989. Concerto No. 2 for Violin and Orchestra, Sz. 116/II. Andante tranquillo appears to be safe for all ages as it is not explicit. There are a total of 19 in the song's album "The Essential Midori". In this album, this song's track order is #15. Based on our statistics, Concerto No. 2 for Violin and Orchestra, Sz. 116/II. Andante tranquillo's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Concerto No. 2 for Violin and Orchestra, Sz. 116/II. Andante tranquillo by Midori, Zubin Mehta, Berliner Philharmoniker having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Preludes, Op. 34a: No. 16 in B-Flat Minor (Arr. D.M. Tsiganov for Violin & Piano) | Dmitri Shostakovich, Midori, Robert McDonald | D Minor | 0 | 7A | 81 BPM | ||
Elgar: Cello Concerto in E Minor, Op. 85: II. Lento - Allegro molto | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | G Major | 2 | 9B | 87 BPM | ||
Introduction et Tarentelle | Pablo de Sarasate, Midori | D Major | 1 | 10B | 88 BPM | ||
The Last Rose of Summer "Étude No. 6" | Heinrich Wilhelm Ernst, Midori | G Major | 0 | 9B | 98 BPM | ||
Miniature Viennese March | Fritz Kreisler, Midori, Robert McDonald | D Major | 1 | 10B | 103 BPM | ||
Sonata No. 1 in G Minor, BWV 1001: II. Fuga. Allegro | Johann Sebastian Bach, Midori | G Minor | 2 | 6A | 85 BPM | ||
Nocturne-serenade, Op. 45 | Pablo de Sarasate, Tianwa Yang, Navarre Symphony Orchestra, Ernest Martinez Izquierdo | B♭ Major | 0 | 6B | 108 BPM | ||
Octet In E Flat, Op.20, MWV R20: 4. Presto | Felix Mendelssohn, Academy of St. Martin in the Fields, Iona Brown, Malcolm Latchem, Roger Garland, Andrew McGee, Stephen Shingles, Anthony Jenkins, Denis Vigay, Roger Smith | B♭ Major | 3 | 6B | 141 BPM | ||
Violin Sonata, FP 119: I. Allegro con fuoco | Francis Poulenc, Midori, Robert McDonald | F Major | 5 | 7B | 120 BPM | ||
Violin Concerto No. 1 in D Major, Op. 19: II. Scherzo: Vivacissimo | Sergei Prokofiev, Hilary Hahn, Orchestre Philharmonique de Radio France, Mikko Franck | C Major | 3 | 8B | 150 BPM |
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