Niccolò Paganini, Midori made "Caprice in D Major, Op. 1, No. 20" available on 1989. The duration of Caprice in D Major, Op. 1, No. 20 is about 3 minutes long, at 3:05. Based on our data, "Caprice in D Major, Op. 1, No. 20" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 24 in the song's album "Paganini: 24 Caprices for Solo Violin, Op. 1". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United States. Caprice in D Major, Op. 1, No. 20 is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Caprice in D Major, Op. 1, No. 20 by Niccolò Paganini, Midori having a BPM of 56 with a half-time of 28 BPM and a double-time of 112 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, Yehudi Menuhin, Sinfonia Varsovia | G Minor | 2 | 6A | 114 BPM | ||
Masquerade - Ballet Suite: 1. Waltz | Aram Khachaturian, London Symphony Orchestra, Stanley Black | C Major | 3 | 8B | 100 BPM | ||
Chopin Mazurka in A Minor, Op.67,No.4: Frederic Chopin | Mela Tenenbaum | A Major | 1 | 11B | 135 BPM | ||
Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 114 BPM | ||
Le roi des aulnes, Op. 26 (after Schubert's Erlkonig) | Heinrich Wilhelm Ernst, Josef Spacek | C Major | 3 | 8B | 129 BPM | ||
Six Pieces, Op. 51, TH 143: VI. Valse sentimentale. Tempo di Valse | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav Soloviev | D♭ Major | 1 | 3B | 108 BPM | ||
Rachmaninov / Arr. Press & Gingold for Violin and Piano: 14 Romances, Op. 34: No. 14, Vocalise | Hermione Gingold, Michael Press, Sergei Rachmaninoff, Itzhak Perlman, Samuel Sanders | E Minor | 2 | 9A | 98 BPM | ||
Kinderszenen, Op. 15: No. 7 in F Major, Träumerei | Robert Schumann, Ivan Moravec | F Major | 0 | 7B | 130 BPM | ||
Piano Quintet in C Minor: I. Andante | Alexander Borodin, Ilona Prunyi, New Budapest Quartet | C Minor | 1 | 5A | 68 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM |
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