"Chopin Mazurka in A Minor, Op.67,No.4: Frederic Chopin" by Mela Tenenbaum was released on 1995. The duration of Chopin Mazurka in A Minor, Op.67,No.4: Frederic Chopin is about 3 minutes long, at 3:03. Based on our data, "Chopin Mazurka in A Minor, Op.67,No.4: Frederic Chopin" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 16 in the song's album "Tea Time". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United States. Based on our statistics, Chopin Mazurka in A Minor, Op.67,No.4: Frederic Chopin's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Chopin Mazurka in A Minor, Op.67,No.4: Frederic Chopin by Mela Tenenbaum having a BPM of 135 with a half-time of 68 BPM and a double-time of 270 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fuga: Sonata No. 2, BWV 1003 | Mela Tenenbaum | A Minor | 1 | 8A | 85 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Minor | 2 | 6A | 114 BPM | ||
Prelude in C-Sharp Minor, Op. 3, No. 2 | Sergei Rachmaninoff, Van Cliburn | A Major | 1 | 11B | 138 BPM | ||
Tempo di Borea: Partita No. 1, BWV 1002 | Mela Tenenbaum | B Minor | 0 | 10A | 69 BPM | ||
Romance for Violin and Piano, Op. 23 | Amy Beach, Esther Abrami, Iyad Sughayer | A Major | 2 | 11B | 87 BPM | ||
Violin Sonata No. 1 in G Minor, BWV 1001: I. Adagio | Johann Sebastian Bach, Ilya Kaler | C Major | 7 | 8B | 82 BPM | ||
Waltz in A flat major, Op.39 No. 15 | Johannes Brahms, Radio Symphony Orchestra | A Major | 1 | 11B | 89 BPM | ||
Valse Noble No. 8 en La Majeur, D. 969 | Franz Schubert, Philippe Cassard | A Major | 0 | 11B | 76 BPM | ||
Allegro Appassionato Op. 43 | Camille Saint-Saëns, 欧阳娜娜, 江天霖 | E Minor | 1 | 9A | 127 BPM | ||
Leise flehen meine Lieder, D. 957 | Slovak Philharmonic, Bohdan Warchal | D Major | 1 | 10B | 123 BPM |
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