Johan August Soderman, Academy Chamber Choir of Uppsala, Stefan Parkman made "Ur Idyll och Epigram: III. Minna satt i lunden" available on May 1, 1997. The duration of Ur Idyll och Epigram: III. Minna satt i lunden is about two minutes long, specifically at 2:06. This song does not appear to have any foul language. Ur Idyll och Epigram: III. Minna satt i lunden's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 29 in the song's album "Swedish A Cappella, Vol. 1". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Ur Idyll och Epigram: III. Minna satt i lunden is currently unknown. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Ur Idyll och Epigram: III. Minna satt i lunden by Johan August Soderman, Academy Chamber Choir of Uppsala, Stefan Parkman having a BPM of 115 with a half-time of 58 BPM and a double-time of 230 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Armon tuuli kantaa (Siionin laulu 188) | Ranuan kr. kansanopiston kuoro, Taina Hurtig, Sallamari Keinänen, Katri Ristolainen | A Minor | 1 | 8A | 135 BPM | ||
Guten Morgen, Wunderland | Athesinus Consort Berlin, Klaus-Martin Bresgott | C Major | 3 | 8B | 93 BPM | ||
Mass for unaccompanied double choir: II. Gloria | Frank Martin, RIAS Kammerchor, Daniel Reuss | A Minor | 1 | 8A | 137 BPM | ||
Psalm 130: Aus der Tiefe reufe ich, Herr, zu Dir | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | D Minor | 1 | 7A | 81 BPM | ||
Nachtlied | Max Reger, Stephan Lutermann, Vokalconsort Osnabrück | B Minor | 0 | 10A | 130 BPM | ||
Quatre petites prières de Saint François d’ Assise: II. Tout Puissant, très saint | Francis Poulenc, Netherlands Chamber Choir | G Major | 2 | 9B | 169 BPM | ||
Sept chansons - La Blanche Neige | Laurence Equilbey, Accentus, Francis Poulenc | D Minor | 1 | 7A | 78 BPM | ||
Worthy is the Lamb | Joanna Marsh, Ensemble Altera, Christopher Lowrey, James Kennerley | B♭ Minor | 1 | 3A | 78 BPM | ||
O Virgo Maria | Henryk Górecki, Jan Łukaszewski, Polish Chamber Choir | F Major | 1 | 7B | 177 BPM | ||
Requiem aeternam: Confutatis | Franz von Suppé, Marie Fajtová, Franziska Gottwald, Tomislav Musek, Albert Pesendorfer, Munich Philharmonic Chorus, Philharmonie Festiva, Gerd Schaller | B♭ Major | 0 | 6B | 132 BPM |
Section: 0.6033005714416504
End: 0.6074128150939941