Ludwig van Beethoven, のだめオーケストラ's 'Beethoven: Symphony No. 7 Op. 92: ベートーヴェン:交響曲第7番イ長調作品92より 第4楽章' came out on January 30, 2010. Since Beethoven: Symphony No. 7 Op. 92: ベートーヴェン:交響曲第7番イ長調作品92より 第4楽章 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in ベートーヴェン 交響曲第7番イ長調作品92, so we believe that "Beethoven: Symphony No. 7 Op. 92: ベートーヴェン:交響曲第7番イ長調作品92より 第4楽章" is a single. Beethoven: Symphony No. 7 Op. 92: ベートーヴェン:交響曲第7番イ長調作品92より 第4楽章 is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Beethoven: Symphony No. 7 Op. 92: ベートーヴェン:交響曲第7番イ長調作品92より 第4楽章 by Ludwig van Beethoven, のだめオーケストラ is Adagio (slowly with great expression), since this song has a tempo of 74 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
ペール・ギュント 第 1組曲, 作品 46: 1. 朝 | Edvard Grieg, Gerd Albrecht, Yomiuri Nippon Symphony Orchestra | F♯ Major | 3 | 2B | 133 BPM | ||
オペラ座の怪人セレクション | Andrew Lloyd Webber, Richard Hayman Symphony Orchestra, Richard Hayman | B♭ Major | 6 | 6B | 129 BPM | ||
ピアノ協奏曲 第1番 ホ短調 作品11 第3楽章 | Kai Ichinose, ヤツェク・カスプシク, ワルシャワ国立フィルハーモニー管弦楽団 | E Major | 2 | 12B | 118 BPM | ||
J. Strauss II: Geschichten aus dem Wienerwald, Op. 325 - ウィーンの森の物語 | Johann Strauss II, ウィリアム・ジョーンズ, コンセル・ソンドール | B♭ Major | 1 | 6B | 179 BPM | ||
アテネの廃墟: Beethoven: アテネの廃墟 - トルコ行進曲(《アテネの廃墟》から) | Ludwig van Beethoven, Fujiko Hemming | F Major | 3 | 7B | 174 BPM | ||
組曲「動物の謝肉祭」 7. 水族館 | Camille Saint-Saëns, Sir Charles Groves, フィルハーモニア管弦楽団 | D Minor | 4 | 7A | 149 BPM | ||
行進曲「威風堂々」第1番 | Edward Elgar, 石丸寛, Tokyo Metropolitan Symphony | D Major | 3 | 10B | 111 BPM | ||
ピアノ協奏曲第3番 ハ長調: 第1楽章 | Sergei Prokofiev, Kun-Woo Paik, Polish National Radio Symphony Orchestra, Antoni Wit | D Minor | 1 | 7A | 92 BPM | ||
超絶技巧練習曲 S. 139/R. 2b から 第4番 マゼッパ | Franz Liszt, Kyohei Sorita | E♭ Major | 1 | 5B | 179 BPM | ||
Lieder ohne Worte, Op. 62: No. 6, Allegretto grazioso, MWV U 161 | Felix Mendelssohn, Mao Fujita | F♯ Major | 2 | 2B | 88 BPM |
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