Ludwig van Beethoven, Fujiko Hemming's 'アテネの廃墟: Beethoven: アテネの廃墟 - トルコ行進曲(《アテネの廃墟》から)' came out on April 15, 2009. The duration of アテネの廃墟: Beethoven: アテネの廃墟 - トルコ行進曲(《アテネの廃墟》から) is about two minutes long, specifically at 2:46. This song does not appear to have any foul language. アテネの廃墟: Beethoven: アテネの廃墟 - トルコ行進曲(《アテネの廃墟》から)'s duration is considered a little bit shorter than the average duration of a typical track. There is only one song in 永遠のカンパネラ~ザ・ベスト・オブ・イングリット・フジコ・ヘミング, so we believe that "アテネの廃墟: Beethoven: アテネの廃墟 - トルコ行進曲(《アテネの廃墟》から)" is a single. The popularity of アテネの廃墟: Beethoven: アテネの廃墟 - トルコ行進曲(《アテネの廃墟》から) is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of アテネの廃墟: Beethoven: アテネの廃墟 - トルコ行進曲(《アテネの廃墟》から) by Ludwig van Beethoven, Fujiko Hemming is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
前奏曲 第7番 イ長調 作品28の7 | リューボフ・チモフェーエワ | A Major | 0 | 11B | 83 BPM | ||
18 Études, Op. 109: No. 15, Les sylphes | Franz Burgmüller, Carl Petersson | G Minor | 1 | 6A | 74 BPM | ||
Charakterstücke, Op. 3, JB 1:65: No. 1, An Robert Schumann | Bedřich Smetana, Jitka Čechová | E Major | 1 | 12B | 136 BPM | ||
On the Overgrown Path / Book 1: No. 5, They Chattered Like Swallows | Leoš Janáček, Olena Kushpler | D♭ Minor | 0 | 12A | 66 BPM | ||
Nocturne In A Flat Major, Op 62 No 3 | A Nanut | A♭ Major | 0 | 4B | 69 BPM | ||
Poulenc: 即興曲 第15番 《エディット・ピアフを讃えて》 | フランシス・プーランク, Tomoharu Ushida | F Minor | 2 | 4A | 95 BPM | ||
Fidelio, Op. 72: Overture | Ludwig van Beethoven, Wolfgang Glashof, Hungarian Radio Chorus, Nicolaus Esterhazy Sinfonia, Michael Halasz, Alan Titus, Gösta Winbergh, Inga Nielsen, Kurt Moll, Edith Lienbacher, Herwig Pecoraro, Péter Pálinkás, József Moldvay | E Major | 1 | 12B | 62 BPM | ||
Romance No. 2 In F Major, Op. 50 | Slovak Philharmonic, Takako Nishizaki, Ludwig van Beethoven | F Major | 1 | 7B | 88 BPM | ||
12 German Dances, D790: No.11 | Franz Schubert, Mitsuko Uchida | A♭ Major | 0 | 4B | 111 BPM | ||
ゴンドラの舟頭歌(ブルグミュラー18の練習曲) | クラウス・ヘルヴィッヒ | A♭ Minor | 0 | 1A | 83 BPM |
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