"ピアノ協奏曲第3番 ハ長調: 第1楽章" by Sergei Prokofiev, Kun-Woo Paik, Polish National Radio Symphony Orchestra, Antoni Wit was released on November 26, 2014. Since ピアノ協奏曲第3番 ハ長調: 第1楽章 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in 銀盤クラシック オペラ座 to 第九 - for Figure Skating 2014-2015(フィギュアスケート), so we believe that "ピアノ協奏曲第3番 ハ長調: 第1楽章" is a single. In terms of popularity, ピアノ協奏曲第3番 ハ長調: 第1楽章 is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of ピアノ協奏曲第3番 ハ長調: 第1楽章 by Sergei Prokofiev, Kun-Woo Paik, Polish National Radio Symphony Orchestra, Antoni Wit is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
小舟にて(ドビュッシー:「小組曲」) | Primrose Magic | G Major | 0 | 9B | 101 BPM | ||
バレエ組曲《くるみ割人形》より あし笛の踊り | Václav Neumann, Czech Philharmonic Chamber Orchestra | B♭ Major | 7 | 6B | 112 BPM | ||
Visions Fugitives, Op. 22: XIV. Feroce | Eteri Andjaparidze, Sergei Prokofiev | D Major | 2 | 10B | 80 BPM | ||
Piano Sonata No. 2 in G Minor, Op. 22: I. So rasch wie moglich | Robert Schumann, Bernd Glemser | F Major | 2 | 7B | 80 BPM | ||
Prokofiev: Romeo and Juliet, Op. 64, Act 1, Scene 2: Young Juliet | Sergei Prokofiev, André Previn, London Symphony Orchestra | F Major | 0 | 7B | 74 BPM | ||
熊蜂の飛行 | Nikolai Rimsky-Korsakov, 上野星矢 | B♭ Minor | 2 | 3A | 82 BPM | ||
超絶技巧練習曲第4番「マゼッパ」 | GRAND-TOURLISZT | C Major | 9 | 8B | 94 BPM | ||
ピアノ協奏曲 第1番 ホ短調 作品11 第3楽章 | Kai Ichinose, ヤツェク・カスプシク, ワルシャワ国立フィルハーモニー管弦楽団 | E Major | 2 | 12B | 118 BPM | ||
組曲 展覧会の絵, 1. グノムス (こびと) | Modest Mussorgsky, Ken-Ichiro Kobayashi, Arnhem Philharmonic Orchestra | B Major | 1 | 1B | 119 BPM | ||
くるみ割り人形 Op. 71a 第7曲 葦笛の踊り | 遠江国オーケストラ | D Major | 1 | 10B | 141 BPM |
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