Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel made "Harmonia artificioso-ariosa / Partia VII: Gigue. Presto" available on January 1, 2004. The duration of Harmonia artificioso-ariosa / Partia VII: Gigue. Presto is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Harmonia artificioso-ariosa / Partia VII: Gigue. Presto's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 38 in Biber: Harmonia artificioso-ariosa by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel. Based on our statistics, Harmonia artificioso-ariosa / Partia VII: Gigue. Presto's popularity is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Harmonia artificioso-ariosa / Partia VII: Gigue. Presto by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel is Allegro (fast, quick, and bright), since this song has a tempo of 143 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Little Consort in Two Parts for Severall Friends in C minor-major: VI. Ayre | Matthew Locke, Rachel Podger, Brecon Baroque | A♭ Minor | 2 | 1A | 112 BPM | ||
Guitar Quintet No. 4 in D Major, G. 448: I. Pastorale | Luigi Boccherini, José Miguel Moreno, La Real Cámara | A♭ Major | 0 | 4B | 110 BPM | ||
Concerto a 7 in G Major - 2 Oboes, 2 Violins, 2 Violas & B.C., Seibel 214: Allegro (1) | Johann David Heinichen, Il Fondamento, Paul Dombrecht | F♯ Major | 3 | 2B | 116 BPM | ||
Concerto Grosso in C Minor, Op. 3, No. 11: III. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | C Minor | 1 | 5A | 120 BPM | ||
Rosary Sonata No. 10 in G Minor, C. 99 "The Crucifixion": Praeludium - Aria and 5 Variations - Adagio | Heinrich Ignaz Franz von Biber, Mayumi Hirasaki, Michael Freimuth, Christine Schornsheim, Jan Freiheit | F♯ Minor | 0 | 11A | 109 BPM | ||
Sonata for violoncello and basso continuo in G Major, WKO 147: III. Rondeau | Carl Friedrich Abel, Elinor Frey, Lorenzo Ghielmi | F♯ Major | 2 | 2B | 147 BPM | ||
Le nymphe di Rheno, Op. 8: Suite in G Minor: II. Allegro - Adagio | Johannes Schenck, Lorenz Duftschmid, Sophie Watillon, Rolf Lislevand, Wolfgang Zerer | F♯ Minor | 1 | 11A | 74 BPM | ||
Intermedes de Xerxes: Bourre pour les Basques | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 1 | 2B | 140 BPM | ||
Airs for the Seasons, Summer (Excerpts): Pink: III. Temo di Minuetto | James Oswald, Rezonance Baroque Ensemble | F♯ Major | 2 | 2B | 82 BPM | ||
Sonatae unarum didium, seu a violino solo: Sonata No. 4 | Johann Heinrich Schmelzer, Georg Kallweit, Björn Colell | A♭ Major | 1 | 4B | 104 BPM |
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