- BPM
- 87
- Key
- G Major
- Camelot
- 9B
Giovanni Bottesini: Double Bass Concerto in B Minor, No.2: II. Andante - Giovanni Bottesini, Łomża Chamber Philharmonic, Jacek Mirucki, Jan Miłosz Zarzycki Information
- Acousticness
- 95%
- Danceability
- 15%
- Energy
- 6%
- Instrumentalness
- 95%
- Liveness
- 10%
- Loudness
- 60%
- Speechiness
- 4%
- Valence
- 7%
- Popularity
- 2%
- Loudness
- -23.867 dB
Summary
"Giovanni Bottesini: Double Bass Concerto in B Minor, No.2: II. Andante" by Giovanni Bottesini, Łomża Chamber Philharmonic, Jacek Mirucki, Jan Miłosz Zarzycki was released on June 5, 2018. With this song being about 5 minutes long, at 5:24, "Giovanni Bottesini: Double Bass Concerto in B Minor, No.2: II. Andante" by Giovanni Bottesini, Łomża Chamber Philharmonic, Jacek Mirucki, Jan Miłosz Zarzycki is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 9 out of 10 in Double Bass Masterpieces by Łomża Chamber Philharmonic, Jacek Mirucki, Jan Miłosz Zarzycki. Giovanni Bottesini: Double Bass Concerto in B Minor, No.2: II. Andante is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Giovanni Bottesini: Double Bass Concerto in B Minor, No.2: II. Andante BPM
The tempo marking of Giovanni Bottesini: Double Bass Concerto in B Minor, No.2: II. Andante by Giovanni Bottesini, Łomża Chamber Philharmonic, Jacek Mirucki, Jan Miłosz Zarzycki is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
Giovanni Bottesini: Double Bass Concerto in B Minor, No.2: II. Andante Key
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Scriabin: 24 Preludes, Op. 11: No. 1 in C Major | Alexander Scriabin, Mikhail Pletnev | C Major | 1 | 8B | 63 BPM | |
 | Haydn: Cello Concerto No. 1 in C Major, Hob. VIIb, 1: II. Adagio (Cadenza by Britten) | Franz Joseph Haydn, Mstislav Rostropovich, Academy of St. Martin in the Fields | F Major | 1 | 7B | 124 BPM | |
 | Allegro molto in C Minor | Fanny Mendelssohn, Heather Schmidt | F Minor | 2 | 4A | 79 BPM | |
 | Wie Melodien zieht es mir | Johannes Brahms, Jungin Huh | D Major | 5 | 10B | 123 BPM | |
 | Morgen, Op. 27 No. 4 (Arr. Reger for Piano) | Richard Strauss, Angela Hewitt | A Major | 2 | 11B | 143 BPM | |
 | 5 Stücke im Volkston, Op. 102: No. 2, Langsam | Robert Schumann, Gabriel Schwabe, Nicholas Rimmer | D♭ Major | 0 | 3B | 66 BPM | |
 | Serenade for Clarinet, Violin and Cello, Op. 93: III. Intermezzo. Andantino | Hans Gál, Kilian Herold, Florian Donderer, Tanja Tetzlaff | F♯ Minor | 0 | 11A | 99 BPM | |
 | Zigeunerweisen, Op. 20 (version for violin and orchestra): I. Moderato | RCA Victor Symphony Orchestra & William Steinberg | A Minor | 0 | 8A | 96 BPM | |
 | Five pieces for Two Violins and Piano: II. Gavotte- Tranquillo, molto leggiero | Dmitri Shostakovich, Brodsky Quartet, Christian Blackshaw | F Minor | 3 | 4A | 172 BPM | |
 | Violin Concerto: III. Romance Without Words | Ned Rorem, Philippe Quint, Royal Liverpool Philharmonic Orchestra, José Serebrier | F♯ Major | 1 | 2B | 66 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6504206657409668
End: 0.6555225849151611