"Andromeda Liberata (Serenata Veneziana), RV 117: Sovvente il sole" by Antonio Vivaldi, Cecilia Bartoli, Ensemble Matheus, Jean-Christophe Spinosi was released on November 23, 2018. Since Andromeda Liberata (Serenata Veneziana), RV 117: Sovvente il sole is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 8 out of 10 in Antonio Vivaldi by Antonio Vivaldi, Cecilia Bartoli, Ensemble Matheus, Jean-Christophe Spinosi. Andromeda Liberata (Serenata Veneziana), RV 117: Sovvente il sole is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Andromeda Liberata (Serenata Veneziana), RV 117: Sovvente il sole by Antonio Vivaldi, Cecilia Bartoli, Ensemble Matheus, Jean-Christophe Spinosi is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
A Minor is the music key of this track. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Laudate pueri in G Major, RV 601 "Salmo 112": IV. Excelsus super omnes (Larghetto) | Antonio Vivaldi, Sandrine Piau, Accademia Bizantina, Ottavio Dantone, Stefano Montanari | B♭ Minor | 0 | 3A | 82 BPM | ||
Flute Concerto In F Major, Op. 10, No. 1, RV 433, "La Tempesta Di Mare": I. Allegro | Jiří Válek, Capella Istropolitana, Antonio Vivaldi | F Major | 4 | 7B | 109 BPM | ||
Les pêcheurs de perles, WD 13 / Act 1: "Je crois entendre encore" | Georges Bizet, Plácido Domingo, Los Angeles Philharmonic, Carlo Maria Giulini | D♭ Major | 2 | 3B | 85 BPM | ||
Concerto for 2 Mandolins, Strings and Continuo in G Major, RV. 532: I. Allegro | Antonio Vivaldi, James Tyler, Robin Jeffrey, The English Concert, Trevor Pinnock | A♭ Minor | 3 | 1A | 80 BPM | ||
Fago: Il Faraone sommerso: "Alla gente a Dio diletta" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 1 | 12B | 92 BPM | ||
Handel: Giulio Cesare in Egitto, HWV 17, Act 1: Duetto. "Son nata a lagrimar" (Cornelia, Sesto) | George Frideric Handel, Nathalie Stutzmann, Orfeo 55 | D♭ Major | 2 | 3B | 120 BPM | ||
Come ye sons of art: Sound the Trumpet | Henry Purcell, Andreas Scholl, Christophe Dumaux, Accademia Bizantina, Stefano Montanari | D♭ Major | 4 | 3B | 108 BPM | ||
Grande Messe des Morts: II. Introitus: Requiem aeternam - Grave | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 1 | 5A | 74 BPM | ||
La Clemenza di Tito: Se mai senti spirarti sul volto | Christoph Willibald Gluck, Cecilia Bartoli, Akademie für Alte Musik Berlin, Bernhard Forck | D Major | 1 | 10B | 91 BPM | ||
Giulio Cesare, HWV 17: Act II - "Se pietà di me non senti" | Simone Kermes | F Minor | 1 | 4A | 72 BPM |
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