- BPM
- 146
- Key
- E Minor
- Camelot
- 9A
Orff: Carmina Burana, Part 3, Cour d'amours: "Tempus est iocundum" - Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Sir Simon Rattle, Berliner Philharmoniker Information
- Acousticness
- 85%
- Danceability
- 44%
- Energy
- 17%
- Instrumentalness
- 0%
- Liveness
- 85%
- Loudness
- 61%
- Speechiness
- 5%
- Valence
- 32%
- Popularity
- 3%
- Loudness
- -23.314 dB
Summary
Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Sir Simon Rattle, Berliner Philharmoniker's 'Orff: Carmina Burana, Part 3, Cour d'amours: "Tempus est iocundum"' came out on January 5, 2005. The duration of Orff: Carmina Burana, Part 3, Cour d'amours: "Tempus est iocundum" is about two minutes long, specifically at 2:26. This song does not appear to have any foul language. Orff: Carmina Burana, Part 3, Cour d'amours: "Tempus est iocundum"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #22. Based on our statistics, Orff: Carmina Burana, Part 3, Cour d'amours: "Tempus est iocundum"'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Orff: Carmina Burana, Part 3, Cour d'amours: "Tempus est iocundum" BPM
With Orff: Carmina Burana, Part 3, Cour d'amours: "Tempus est iocundum" by Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Sir Simon Rattle, Berliner Philharmoniker having a BPM of 146 with a half-time of 73 BPM and a double-time of 292 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
Orff: Carmina Burana, Part 3, Cour d'amours: "Tempus est iocundum" Key
E Minor is the music key of this track. Which also means that the camelot key for this song is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Eine Alpensinfonie, Op.64, TrV 233: 19. Gewitter und Sturm, Abstieg | Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan | B♭ Minor | 6 | 3A | 148 BPM | |
 | Bizet: Carmen, Act 2: "Toréador, en garde" (Amis d'Escamillo) | Georges Bizet, Sir Simon Rattle, Berliner Philharmoniker, Kostas Smoriginas | F Major | 1 | 7B | 115 BPM | |
 | Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 1, Introduction | Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker, Rundfunkchor Berlin | D Minor | 2 | 7A | 72 BPM | |
 | Carmina Burana / II. In Taberna: "Ego sum abbas" | Carl Orff, Dietrich Fischer-Dieskau, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | B♭ Minor | 3 | 3A | 108 BPM | |
 | Lohengrin, WWV 75, Act III: In ferner Land, unnahbar euren Schritten (Lohengrin, The King, Men, Women) | Richard Wagner, Klaus Florian Vogt, Annette Dasch, Günther Groissböck, Robert Franke, Holger Marks, Marek Janowski, Rundfunk-Sinfonieorchester Berlin, Rundfunkchor Berlin | A Major | 1 | 11B | 63 BPM | |
 | Suor Angelica: Senza mamma, o bimbo | Giacomo Puccini, Mirella Freni, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | F Major | 3 | 7B | 75 BPM | |
 | Symphony No.1 In C Minor, Op.68: 2. Andante sostenuto | Johannes Brahms, Berliner Philharmoniker, Herbert von Karajan | E Major | 1 | 12B | 85 BPM | |
 | Eugene Onegin, Op. 24, TH.5 / Act 1: Servant Girls' Chorus. "Dyevitsi, krasavitsi" | Pyotr Ilyich Tchaikovsky, St.Petersburg Chamber Choir, Orchestre de Paris, Semyon Bychkov | A Major | 0 | 11B | 107 BPM | |
 | Weber: Der Freischütz, Op. 77, J. 277: Ouverture (Adagio - Molto vivace) | Carl Maria von Weber, Elisabeth Grümmer, Berliner Philharmoniker, Joseph Keilberth | F Major | 3 | 7B | 88 BPM | |
 | Maan virsi (Hymn to the Earth), Op. 95 | Jean Sibelius, Finnish National Opera Chorus, Finnish National Opera Orchestra, Eri Klas | C Major | 1 | 8B | 73 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6423790454864502
End: 0.6477677822113037