"Eine Alpensinfonie, Op.64, TrV 233: 19. Gewitter und Sturm, Abstieg" by Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1993. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 22 in the song's album "Strauss, R.: An Alpine Symphony Op.64". In this album, this song's track order is #19. Based on our statistics, Eine Alpensinfonie, Op.64, TrV 233: 19. Gewitter und Sturm, Abstieg's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Eine Alpensinfonie, Op.64, TrV 233: 19. Gewitter und Sturm, Abstieg by Richard Strauss, David Bell, Berliner Philharmoniker, Herbert von Karajan having a BPM of 148 with a half-time of 74 BPM and a double-time of 296 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of B♭ Minor. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 1 in E Minor, Op. 39: II. Andante (ma non troppo lento) | Jean Sibelius, Sir Colin Davis, London Symphony Orchestra | A♭ Major | 1 | 4B | 83 BPM | ||
Polovtsian Dances From Prince Igor: Dance Of The Polovtsian Maidens | Alexander Borodin, Berliner Philharmoniker, Herbert von Karajan | F Minor | 1 | 4A | 62 BPM | ||
Eine Alpensinfonie: IV. Auf der Alm - Durch Dickicht und Gestrüpp auf Irrwegen | Richard Strauss, Bernard Haitink, London Symphony Orchestra | E♭ Major | 0 | 5B | 77 BPM | ||
Lyric Suite - 3 Pieces For String Orchestra: 1. Andante amoroso | Alban Berg, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 136 BPM | ||
Scheherazade: The Ship breaks up against a cliff surmounted by a bronze horseman | Nikolai Rimsky-Korsakov, Joakim Svenheden | A Minor | 5 | 8A | 93 BPM | ||
Pelléas et Mélisande, (Suite), Op. 46: II. Mélisande | Jean Sibelius, Berliner Philharmoniker, Herbert von Karajan | B♭ Minor | 0 | 3A | 78 BPM | ||
Symphony No. 8 in C Minor, Op. 65: IV. Largo | Dmitri Shostakovich, Berliner Philharmoniker, Kirill Petrenko | A♭ Major | 0 | 4B | 72 BPM | ||
Annen-Polka, Op. 117 - Recorded 1959 | Johann Strauss II, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 180 BPM | ||
Le nozze di Figaro, K.492: Overture | Wolfgang Amadeus Mozart, Wiener Philharmoniker, Herbert von Karajan | B♭ Major | 2 | 6B | 90 BPM | ||
Symphonie fantastique, Op. 14, H 48: 5d. Songe d'une nuit du Sabbat - Dies irae et Ronde du Sabbat ensemble | Hector Berlioz, Chicago Symphony Orchestra, Claudio Abbado | B♭ Major | 1 | 6B | 153 BPM |
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