Richard Wagner, Glenn Gould made "Die Meistersinger von Nürnberg, Act I: Prelude (Piano Transcription) - Remastered" available on 1973. Since Die Meistersinger von Nürnberg, Act I: Prelude (Piano Transcription) - Remastered is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Richard Wagner, Glenn Gould's "Glenn Gould Plays His Own Transcriptions of Wagner Orchestral Showpieces (Gould Remastered)" album is number 1 out of 3. In terms of popularity, Die Meistersinger von Nürnberg, Act I: Prelude (Piano Transcription) - Remastered is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Die Meistersinger von Nürnberg, Act I: Prelude (Piano Transcription) - Remastered by Richard Wagner, Glenn Gould to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Kinderszenen, Op.15: 2. Kuriose Geschichte | Robert Schumann, Martha Argerich | D Major | 0 | 10B | 66 BPM | ||
Sonata No. 55 in A Minor (Arr. Ólafsson) | Domenico Cimarosa, Víkingur Ólafsson | A Minor | 0 | 8A | 80 BPM | ||
Nocturne No. 6 in G Minor, Op. 15, No. 3 | Frédéric Chopin, Maria João Pires | F Minor | 1 | 4A | 76 BPM | ||
Fantasiestucke, Op. 12: Des Abends | Benjamin Frith, Robert Schumann | D♭ Major | 0 | 3B | 123 BPM | ||
Parsifal, WWV 111: Prelude | Richard Wagner, Bayreuth Festival Orchestra, Pierre Boulez | A♭ Major | 1 | 4B | 115 BPM | ||
Nocturne No. 1 in E-Flat Major | John Field, Benjamin Frith | E♭ Major | 0 | 5B | 73 BPM | ||
Bist du bei mir (Formerly Attrib. J.S. Bach as BWV 508, Notebook for Anna Magdalena Bach, 1725) | Gottfried Heinrich Stölzel, Daniil Trifonov | E♭ Major | 0 | 5B | 133 BPM | ||
Parsifal, WWV 111 / Act 1: "Nun achte wohl und laß mich seh'n" - "Zum letzten Liebesmahle" - Live | Richard Wagner, Hans Hotter, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Hans Knappertsbusch | D♭ Major | 2 | 3B | 79 BPM | ||
Keyboard Sonata in G Minor, Kk. 8 (L. 488): Allegro | Domenico Scarlatti, Ivo Pogorelich | G Minor | 0 | 6A | 101 BPM | ||
Das Rheingold, WWV 86A (Excerpts Arr. H. Behn for 2 Pianos): Vorspiel | Richard Wagner, Cord Garben, Thomas Hoppe | E♭ Major | 0 | 5B | 68 BPM |
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