"Parsifal, WWV 111 / Act 1: "Nun achte wohl und laß mich seh'n" - "Zum letzten Liebesmahle" - Live" by Richard Wagner, Hans Hotter, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Hans Knappertsbusch was released on January 1, 1964. Since Parsifal, WWV 111 / Act 1: "Nun achte wohl und laß mich seh'n" - "Zum letzten Liebesmahle" - Live is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Wagner: Parsifal by Richard Wagner, Jess Thomas, Hans Hotter, Irene Dalis, Gustav Neidlinger, Bayreuth Festival Orchestra, Hans Knappertsbusch. The song's track number on the album is #3 out of 44 tracks. Based on our data, Netherlands was the country where this track was produced or recorded. Parsifal, WWV 111 / Act 1: "Nun achte wohl und laß mich seh'n" - "Zum letzten Liebesmahle" - Live is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Parsifal, WWV 111 / Act 1: "Nun achte wohl und laß mich seh'n" - "Zum letzten Liebesmahle" - Live by Richard Wagner, Hans Hotter, Bayreuth Festival Chorus, Bayreuth Festival Orchestra, Hans Knappertsbusch has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Parsifal, WWV 111 / Act 1: "Nun achte wohl und laß mich seh'n" - "Zum letzten Liebesmahle" - Live being at 79 BPM, the half-time would be 40 BPM with a double-time of 158 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 8, Erster Teil: I. Veni, creator spiritus | Gustav Mahler, Berliner Philharmoniker, Sir Simon Rattle, Rundfunkchor Berlin, MDR Leipzig Radio Chorus, Erika Sunnegardh, Susan Bullock, Lilli Paasikivi, Nathalie Stutzmann, Johan Botha, David Wilson-Johnson, John Relyea | E♭ Major | 3 | 5B | 64 BPM | ||
Der Rosenkavalier, Op.59 / Act 1: "Di rigori armato il seno" | Richard Strauss, Luciano Pavarotti, Wiener Philharmoniker, Sir Georg Solti | D♭ Major | 3 | 3B | 89 BPM | ||
Requiem, Op. 89 B. 165: Introitus: Requiem aeternam - Kyrie (Vocal Quartet, Chorus) | Antonín Dvořák, Christiane Libor, Ewa Wolak, Daniel Kirch, Janusz Monarcha, Chór Filharmonii Narodowej w Warszawie, Orkiestra Filharmonii Narodowej w Warszawie, Antoni Wit | F Major | 1 | 7B | 77 BPM | ||
Il barbiere di Siviglia: Overture (Sinfonia) | Gioachino Rossini, Bavarian Radio Symphony Orchestra, Bruno Bartoletti | E Major | 3 | 12B | 98 BPM | ||
Tristan und Isolde, WWV 90 / Act 1: "Auf! Auf! Ihr Frauen!" | Richard Wagner, Birgit Nilsson, Christa Ludwig, Eberhard Waechter, Bayreuth Festival Orchestra, Karl Böhm | C Major | 2 | 8B | 105 BPM | ||
Requiem in D Minor, K. 626: 2. Kyrie - Live | Wolfgang Amadeus Mozart, Berliner Philharmoniker, Claudio Abbado, Swedish Radio Choir, Kay Johannsen | D Minor | 5 | 7A | 97 BPM | ||
Capriccio, Op. 85, TrV 279: Mondscheinmusik | Richard Strauss, Wiener Philharmoniker, André Previn | A Major | 1 | 11B | 100 BPM | ||
Tannhäuser, WWV 70 / Act 2: "Dich, teure Halle, grüß ich wieder" | Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | E Minor | 2 | 9A | 169 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
Respighi: Pini di Roma, P. 141: I. I pini di Villa Borghese | Ottorino Respighi, Riccardo Muti, Philadelphia Orchestra | F Major | 4 | 7B | 90 BPM |
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