Felix Mendelssohn, John Mark Ainsley, Orchestre des Champs-Élysées, Philippe Herreweghe's 'Elias, Op. 70, MWV A25, Part I: No. 3, Recitative "Zerreißet eure Herzen" (Obadjah)' came out on August 23, 1993. The duration of Elias, Op. 70, MWV A25, Part I: No. 3, Recitative "Zerreißet eure Herzen" (Obadjah) is about 3 minutes long, at 3:13. Based on our data, "Elias, Op. 70, MWV A25, Part I: No. 3, Recitative "Zerreißet eure Herzen" (Obadjah)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Felix Mendelssohn, Philippe Herreweghe, Orchestre des Champs-Élysées, La Chapelle Royale, Collegium Vocale Gent's "Mendelssohn: Elias" album is number 4 out of 35. On top of that, France appears to be the country where this track was created. In terms of popularity, Elias, Op. 70, MWV A25, Part I: No. 3, Recitative "Zerreißet eure Herzen" (Obadjah) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Elias, Op. 70, MWV A25, Part I: No. 3, Recitative "Zerreißet eure Herzen" (Obadjah) by Felix Mendelssohn, John Mark Ainsley, Orchestre des Champs-Élysées, Philippe Herreweghe to be Moderato (at a moderate speed) because the track has a tempo of 109 BPM, a half-time of 54BPM, and a double-time of 218 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Missa brevis Sancti Joannis de Deo "Little Organ Mass" XXII:7: Benedictus - Moderato - Allegro | American Bach Soloists, Tamara Matthews, Jeffrey Thomas | E♭ Major | 0 | 5B | 76 BPM | ||
Die Schöpfung HobXXI/2, PART 2: Vollendet ist das große Werk: Chor | Sir Neville Marriner, Südfunk-Chor, Barbara Bonney, Jan-Hendrik Rootering, Hans Peter Blochwitz, Radio-Sinfonieorchester Stuttgart | B♭ Major | 3 | 6B | 111 BPM | ||
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 15, Choral. "Erkenne mich, mein Hüter" | Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Concentus Musicus Wien | E♭ Major | 1 | 5B | 175 BPM | ||
Mass in C Major, Hob. XXII:9, "Paukenmesse": Mass in C Major, Hob. XXII:9, "Paukenmesse": II. Gloria. Quoniam tu solus sanctus | Joseph Haydn, Richard Hickox, Collegium Musicum 90, Nancy Argenta, Catherine Denley, Mark Padmore, Stephen Varcoe, Collegium Musicum 90 Choir | C Major | 2 | 8B | 138 BPM | ||
Symphony No. 2 in B-Flat Major, Op. 52 "Hymn Of Praise": X. Allegro non troppo "Ihr Völker, bringet her dem Herrn Ehre und Macht!" | Felix Mendelssohn, Deutsche Kammerphilharmonie Bremen, Frieder Bernius, Kammerchor Stuttgart | B♭ Major | 3 | 6B | 89 BPM | ||
Schicksalslied, Op. 54: Orchestral Postlude with Choir (alternate version) | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | A Major | 0 | 11B | 82 BPM | ||
Requiem in C Minor, MH 559: Dies irae: Oro supplex | Michael Haydn, Cantemus, German Chamber Academy Neuss, Werner Ehrhardt | A♭ Major | 0 | 4B | 76 BPM | ||
Stabat Mater (Hob. XXbis) 1767: I. Stabat Mater Dolorosa | Joseph Haydn, Anthony Rolfe Johnson, The English Concert, Trevor Pinnock, The English Concert Choir | B Minor | 1 | 10A | 135 BPM | ||
Requiem, K. 626, III. Sequenz: IV. Recordare | Wolfgang Amadeus Mozart, Annette Markert, Hanno Müller-Brachmann, Sybilla Rubens, Ian Bostridge, Orchestre des Champs-Élysées, Philippe Herreweghe | B♭ Major | 4 | 6B | 120 BPM | ||
Don Sanche (The Castle of Love), S476/R13: Part I: Chorus: Beau chevalier va chercher une amie (Handsome knight, find yourself a lady friend) (Page) | Franz Liszt, Gérard Garino, Julia Hamari, Istvan Gati, Katalin Farkas, Ildiko Komlosi, Mária Zádori, Gábor Kállay, Hungarian Radio and Television Chorus, Hungarian State Opera Orchestra, Tamas Pal | E Major | 2 | 12B | 90 BPM |
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