Joseph Haydn, Richard Hickox, Collegium Musicum 90, Nancy Argenta, Catherine Denley, Mark Padmore, Stephen Varcoe, Collegium Musicum 90 Choir's 'Mass in C Major, Hob. XXII:9, "Paukenmesse": Mass in C Major, Hob. XXII:9, "Paukenmesse": II. Gloria. Quoniam tu solus sanctus' came out on October 1, 1998. The duration of Mass in C Major, Hob. XXII:9, "Paukenmesse": Mass in C Major, Hob. XXII:9, "Paukenmesse": II. Gloria. Quoniam tu solus sanctus is about two minutes long, specifically at 2:24. This song does not appear to have any foul language. Mass in C Major, Hob. XXII:9, "Paukenmesse": Mass in C Major, Hob. XXII:9, "Paukenmesse": II. Gloria. Quoniam tu solus sanctus's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Joseph Haydn, Richard Hickox, Collegium Musicum 90, Nancy Argenta, Catherine Denley, Mark Padmore, Stephen Varcoe, Collegium Musicum 90 Choir's "Haydn: Paukenmesse" album is number 5 out of 15. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Mass in C Major, Hob. XXII:9, "Paukenmesse": Mass in C Major, Hob. XXII:9, "Paukenmesse": II. Gloria. Quoniam tu solus sanctus's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Mass in C Major, Hob. XXII:9, "Paukenmesse": Mass in C Major, Hob. XXII:9, "Paukenmesse": II. Gloria. Quoniam tu solus sanctus by Joseph Haydn, Richard Hickox, Collegium Musicum 90, Nancy Argenta, Catherine Denley, Mark Padmore, Stephen Varcoe, Collegium Musicum 90 Choir to be Allegro (fast, quick, and bright) because the track has a tempo of 138 BPM, a half-time of 69BPM, and a double-time of 276 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Serenade No. 1 in D Major, Op. 11: IVa. Menuetto I | Johannes Brahms, Gävle Symphony Orchestra, Jaime Martin | B♭ Minor | 0 | 3A | 60 BPM | ||
Symphony No. 1 in D Major, Hob. I:1: I. Presto | Joseph Haydn, Austro-Hungarian Haydn Orchestra, Ádám Fischer | D Major | 2 | 10B | 139 BPM | ||
Symphony in D Major, Op. 3, No. 2: II. Andantino | Johann Stamitz, New Zealand Chamber Orchestra, Donald Armstrong | G Major | 0 | 9B | 113 BPM | ||
Piano Sonata in E minor, H.XVI No.34: 3. Vivace molto, innocentemente | Franz Joseph Haydn, Alfred Brendel | E Major | 1 | 12B | 122 BPM | ||
Bach, JS: Brandenburg Concerto No. 3 in G Major, BWV 1048: II. Adagio & III. Allegro | Johann Sebastian Bach, Alison Bury, Orchestra of the Age of Enlightenment | F♯ Major | 6 | 2B | 127 BPM | ||
Violin Concerto BWV 1042 in E Major: Violin Concerto BWV 1042 in E Major: II. Adagio | Johann Sebastian Bach, Freiburger Barockorchester, Gottfried Von Der Goltz | C Minor | 1 | 5A | 116 BPM | ||
Viola Concerto in C Minor: III. Allegro molto energico | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | G Minor | 3 | 6A | 79 BPM | ||
Concerto For 2 Violins, Strings, And Continuo In D Minor, BWV 1043: 3. Allegro | Johann Sebastian Bach, Hilary Hahn, Margaret Batjer, Los Angeles Chamber Orchestra, Jeffrey Kahane | D Minor | 4 | 7A | 113 BPM | ||
Concerto No. 1 in C Major, Hob. VIIh:1 "Lyra organizzata" (Versions for Flute, Oboe & Orchestra): I. Allegro con spirito | Joseph Haydn, Ana de la Vega, Ramon Ortega Quero, TrondheimSolistene, Geir Inge Lotsberg | C Major | 1 | 8B | 75 BPM | ||
The Creation, Hob.XXI,2: Pt. 1, In the Beginning | Joseph Haydn, Handel & Haydn Society, Jeremy Ovenden, Matthew Brook, Harry Christophers | B♭ Minor | 0 | 3A | 103 BPM |
Section: 0.9295587539672852
End: 0.9333789348602295