"Songs without Words, Op. 62, No. 1: May Breezes (Arranged for Violin & Orchestra)" by Felix Mendelssohn, Joshua Bell, Michael Stern, Orchestra of St. Luke's was released on 1998. The duration of Songs without Words, Op. 62, No. 1: May Breezes (Arranged for Violin & Orchestra) is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Songs without Words, Op. 62, No. 1: May Breezes (Arranged for Violin & Orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 28 in the song's album "The Essential Joshua Bell". In this album, this song's track order is #8. Songs without Words, Op. 62, No. 1: May Breezes (Arranged for Violin & Orchestra) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Songs without Words, Op. 62, No. 1: May Breezes (Arranged for Violin & Orchestra) by Felix Mendelssohn, Joshua Bell, Michael Stern, Orchestra of St. Luke's having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 21 in C Major, K. 467: II. Andante (Arranged for Violin & Orchestra) | Wolfgang Amadeus Mozart, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | F Major | 1 | 7B | 136 BPM | ||
L'Arlésienne Suite No.1, WD 40: 2. Minuetto | Georges Bizet, Orchestre Symphonique de Montréal, Charles Dutoit | A♭ Major | 0 | 4B | 78 BPM | ||
Apres Une Reve | Gabriel Fauré, Nicola Benedetti | F Minor | 1 | 4A | 168 BPM | ||
Suite for Violin and Orchestra in A Minor, Op.10 (Suite im alten Stil): I. Presto | Christian Sinding, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra | G Major | 1 | 9B | 131 BPM | ||
Holberg Suite, Op. 40: I. Prelude (Version for Strings) | Edvard Grieg, Australian Chamber Orchestra, Richard Tognetti | G Major | 1 | 9B | 74 BPM | ||
Tchaikovsky: Variations on a Rococo Theme, Op. 33: Introduction - Thema | Pyotr Ilyich Tchaikovsky, Munich Philharmonic Orchestra, Valery Gergiev | B♭ Minor | 1 | 3A | 136 BPM | ||
L’arlésienne Suite No. 1, Op. 23bis, WD 40: II. Menuet | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 0 | 4B | 94 BPM | ||
Piano Concerto No.2 in G Major, Op. 44: II. Stringendo | Vladimir Ashkenazy, Sydney Symphony Orchestra, Garrick Ohlsson | D Major | 3 | 10B | 145 BPM | ||
Butterfly Lovers Violin Concerto: III. Adagio Assai Doloroso | Chen Gang, Zhanhao He, Joshua Bell, Tsung Yeh, Singapore Chinese Orchestra | D Major | 1 | 10B | 76 BPM | ||
Carmen Suite No. 1 (Arr. E. Guiraud): III. Intermezzo | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | A♭ Major | 3 | 4B | 161 BPM |
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