"Piano Concerto No. 21 in C Major, K. 467: II. Andante (Arranged for Violin & Orchestra)" by Wolfgang Amadeus Mozart, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields was released on October 17, 2003. Piano Concerto No. 21 in C Major, K. 467: II. Andante (Arranged for Violin & Orchestra) is about six minutes long, preciously at 6:16, making this song fairly long compared to other songs. There are a total of 13 in the song's album "Romance of the Violin". In this album, this song's track order is #7. Based on our statistics, Piano Concerto No. 21 in C Major, K. 467: II. Andante (Arranged for Violin & Orchestra)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Concerto No. 21 in C Major, K. 467: II. Andante (Arranged for Violin & Orchestra) by Wolfgang Amadeus Mozart, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fauré: Suite de Pelléas et Mélisande, Op. 80: III. Sicilienne (Arr. for Cello and Orchestra) | Gabriel Fauré, Han-Na Chang, Leonard Slatkin, Philharmonia Orchestra | E♭ Major | 1 | 5B | 72 BPM | ||
Appalachian Spring: VII. Doppio movimento | Aaron Copland, New York Philharmonic, Leonard Bernstein | C Major | 0 | 8B | 84 BPM | ||
Die Hochzeit des Figaro, K. 492, 3. Akt: Canzonetta sull aria… Che soave zeffiretto (Die Verurteilten): Sinfonia | Wolfgang Amadeus Mozart, Marina Mescheriakova, Judith Halász, Michelle Breedt, Orsolya Safar, Gabriele Sima, Alexander Klinger, Michael Roider, Bo Skovhus, Peter Koves, Janusz Monarcha, Renato Girolami, Nicolaus Esterhazy Sinfonia, Michael Halasz | D Major | 1 | 10B | 145 BPM | ||
Vivaldi: Guitar Concerto in D Major, RV 93: II. Largo | Antonio Vivaldi, Christopher Parkening, Academy of St. Martin in the Fields, Iona Brown | D Major | 0 | 10B | 171 BPM | ||
Suite bergamasque, L. 75: III. Clair de lune (Arranged for Violin & Orchestra) | Claude Debussy, Isaac Stern, Milton Katims, Columbia Symphony Orchestra | D♭ Major | 2 | 3B | 86 BPM | ||
Les Sylphides: 7. Valse | Frédéric Chopin, National Philharmonic Orchestra, Richard Bonynge | D♭ Minor | 1 | 12A | 79 BPM | ||
Piano Concerto No.1 in E minor, Op.11: 2. Romance (Larghetto) | Frédéric Chopin, YUNDI, Philharmonia Orchestra, Andrew Davis | E Major | 0 | 12B | 87 BPM | ||
Harp Concerto in A major: 2. Larghetto | Carl Ditters von Dittersdorf, Marisa Robles, Academy of St. Martin in the Fields, Iona Brown | D Major | 1 | 10B | 80 BPM | ||
Der Stein der Weisen, Act I: Chorus and Solo. Welch reizende Musik | Wolfgang Amadeus Mozart, Johann Baptist Henneberg, Benedikt Schack, Franz Xaver Gerl, Emanuel Schikaneder, Boston Baroque, Martin Pearlman, Karyl Ryczek, Roberta Anderson, Sabrina Learman, Gail Abbey, Sharon Baker | E♭ Major | 2 | 5B | 77 BPM | ||
Concerto for Violin & Orchestra, Op.14: 2. Andante | Samuel Barber, Joshua Bell, Baltimore Symphony Orchestra, David Zinman | B♭ Minor | 1 | 3A | 133 BPM |
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