"Norma / Act 2: Norma! deh! Norma, scolpati" by Vincenzo Bellini, Samuel Ramey, Dame Joan Sutherland, Luciano Pavarotti, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge was released on November 11, 1987. The duration of Norma / Act 2: Norma! deh! Norma, scolpati is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Norma / Act 2: Norma! deh! Norma, scolpati's duration is considered a little bit shorter than the average duration of a typical track. The song is number 17 out of 43 in Bellini: Norma by Vincenzo Bellini, Dame Joan Sutherland, Luciano Pavarotti, Montserrat Caballé, Samuel Ramey, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge. Norma / Act 2: Norma! deh! Norma, scolpati is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Norma / Act 2: Norma! deh! Norma, scolpati by Vincenzo Bellini, Samuel Ramey, Dame Joan Sutherland, Luciano Pavarotti, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge is Adagio (slowly with great expression), since this song has a tempo of 71 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
The music key of this track is A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Strauss, R: Vier letzte Lieder, TrV 196: I. Frühling | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Radio-Sinfonie-Orchester Berlin | A♭ Major | 2 | 4B | 83 BPM | ||
Les Contes d'Hoffmann / Act 2: "Belle nuit, ô nuit d'amour" | Jacques Offenbach, Dame Joan Sutherland, Huguette Tourangeau, Chorus Pro Arte Lausanne Du Brassus, Radio Suisse Romande Chorus, Orchestre de la Suisse Romande, Richard Bonynge | D Major | 1 | 10B | 82 BPM | ||
Les pêcheurs de perles / Act 2: Au fond du temple saint | Georges Bizet, Ramón Vargas, Ludovic Tezier, SWR Symphony Orchestra, Marco Armiliato | E♭ Major | 4 | 5B | 169 BPM | ||
Otello: Ave Maria (Atto IV) | Montserrat Caballé, Royal Philharmonic Orchestra, Anton Guadagno, Elizabeth Bainbridge | A♭ Major | 0 | 4B | 88 BPM | ||
La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, Joseph Calleja, Aleksandra Kurzak, Orchestre de la Suisse Romande, Marco Armiliato | C Major | 2 | 8B | 123 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 85 BPM | ||
I Capuleti e i Montecchi: Eccomi in lieta vesta / Act 2: Chi sei tu, che ardisci - Live | Vincenzo Bellini, Elina Garanca, Joseph Calleja, Wiener Symphoniker, Fabio Luisi, Wiener Singakademie | B♭ Major | 2 | 6B | 139 BPM | ||
Il Pirata, Act I: Ebben?... Verrà | Vincenzo Bellini, Felice Romani, Marina Rebeka, Sonia Fortunato, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania | F Major | 3 | 7B | 171 BPM | ||
E' Strano... Follie... Sempre Libera - la Traviata Atto I | Renata Tebaldi | C Major | 2 | 8B | 74 BPM | ||
Puccini: La bohème, Act 1: "O soave fanciulla" (Rodolfo, Mimì) | Giacomo Puccini, James Conlon, Barbara Hendricks, José Carreras, Orchestre National De France | D♭ Minor | 2 | 12A | 168 BPM |
Section: 1.191129207611084
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