Giacomo Puccini, Mirella Freni, Giuseppe Taddei, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine's 'Manon Lescaut / Act 2: Ah! Affé, madamigella' came out on January 1, 1993. The duration of Manon Lescaut / Act 2: Ah! Affé, madamigella is about two minutes long, specifically at 2:15. This song does not appear to have any foul language. Manon Lescaut / Act 2: Ah! Affé, madamigella's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 33 in the song's album "Puccini: Manon Lescaut". In this album, this song's track order is #20. Manon Lescaut / Act 2: Ah! Affé, madamigella is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Manon Lescaut / Act 2: Ah! Affé, madamigella by Giacomo Puccini, Mirella Freni, Giuseppe Taddei, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Silenzio cantatore | Gaetana Lama, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | E Minor | 2 | 9A | 83 BPM | ||
Il barbiere di Siviglia / Act 1: No.2 Cavatina: "Largo al factotum" | Gioachino Rossini, Manuel Ausensi, Orchestra del Teatro San Carlo di Napoli, Silvio Varviso | C Major | 3 | 8B | 113 BPM | ||
Die tote Stadt / Act 1: Glück, das mir verblieb (Mariettalied) | Erich Wolfgang Korngold, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | B♭ Major | 1 | 6B | 88 BPM | ||
Nessun Dorma! | Mario del Monaco | D Major | 2 | 10B | 88 BPM | ||
La forza dell’amore e dell’odio: "Vado a morir" | Francesco Araia, Cecilia Bartoli, I Barocchisti, Diego Fasolis | E Minor | 2 | 9A | 176 BPM | ||
Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | ||
Vesperae solennes de confessore in C, K.339: 5. Laudate Dominum omnes gentes | Wolfgang Amadeus Mozart, Kiri Te Kanawa, John Constable, London Symphony Chorus, London Symphony Orchestra, Sir Colin Davis | F Major | 1 | 7B | 82 BPM | ||
Madama Butterfly (1986 - Remaster), Act I: Bimba dagli occhi pieni di malìa | Giacomo Puccini, Renata Scotto, Carlo Bergonzi, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | D Major | 6 | 10B | 107 BPM | ||
Bizet: Les Pêcheurs de perles, Act 1: "Au fond du temple saint" (Nadir, Zurga) | Georges Bizet, Pierre Dervaux, Orchestre du Theatre National de IOpera-Comique | E♭ Major | 2 | 5B | 88 BPM |
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